I’ve spent the last six years shooting landscapes and long exposure work in everything from the deserts of Utah to the foggy coasts of Maine. Through all of that field time, one accessory has earned its place in every camera bag I own: a quality ND filter. The best ND filters for photography do something no software slider can replicate, they let you control light at the moment of capture, which is the difference between a snapshot and a photograph.
This guide covers the eight ND filters our team has actually used over the past two years. We tested them on Sony, Canon, and Nikon bodies with focal lengths ranging from 14mm to 200mm. We measured color cast, vignetting, and X-pattern artifacts at different focal lengths. The picks below represent what we found, not what algorithms suggested. We also pulled insight from the r/AskPhotography community and fstoppers lab data to round out the picture.
Whether you shoot waterfalls with a 10-stop, control depth of field on bright wedding days, or run a Sony FX3 for video work, the right ND filter changes everything. We’ve grouped the picks by use case so you can jump to what matters most for your style.
Before we get into the products, let’s cover the top three picks across our entire test pool. If you only have a minute, start here.
Top 3 Best ND Filters for Photography in September
K&F CONCEPT Nano-X 55mm Variable ND2-32
- No X-cross design
- Hard stops
- 28 nano coatings
- Waterproof
Gobe ND1000 72mm 10-Stop Filter
- 10-stop fixed density
- Color neutral
- Lifetime warranty
- 24-layer coating
Tiffen 52mm ND 0.9 (3-Stop)
- Industry standard color
- 3 stops fixed
- Metal frame
- 10-year warranty
Best ND Filters for Photography in 2026 Quick Comparison
Below is the full list of the eight ND filters we tested. Each one has a specific strength, and our buying guide further down will help you decide which matches your style. We’ve also published a related guide on the best ND filters for long exposure photography if you want to go deeper on that use case.
| Product | Specifications | Action |
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 K&F CONCEPT 58mm Variable ND2-400 |
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 K&F CONCEPT 82mm Variable ND2-400 |
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 Tiffen 82mm Variable ND 2-8 Stop |
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 X-SweetDream 24-Piece Square Filter Kit |
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| K&F CONCEPT 55mm Variable ND2-32 Nano-X |
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 K&F CONCEPT 82mm Fixed ND Filter Kit |
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| Tiffen 52mm Neutral Density 0.9 |
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| Gobe 72mm ND1000 10-Stop Filter |
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1. K&F CONCEPT 58mm Variable ND2-400 – Best Budget Variable ND
Pros
- Excellent value with minimal color cast
- Slim profile prevents vignetting on wide angles
- Smooth 360-degree rotation
- Includes filter cap and cleaning cloth
Cons
- X-pattern at 7+ stops on wide-angle lenses
- Can affect autofocus at maximum density
I bought this filter for my Sony A7C with the 28-60mm kit lens because I wanted something I wouldn’t cry over if I scratched. Six months later it’s still in my bag, and it has produced some of my favorite waterfall images from the Pacific Northwest. The 1-9 stop range covers everything from mild midday fill to a full long exposure at golden hour.
The optical quality genuinely surprised me. I expected color shift, the kind of warm cast most budget variable NDs introduce, but this one stays remarkably neutral. I shot a side-by-side test against a Tiffen 82mm VND at f/8, ISO 100, and the only difference was a barely perceptible shift that disappeared after a one-click white balance correction. For under $25, that’s hard to beat.
Where this filter shows its budget roots is at the high end of its range. Push past 7 stops on a 16-35mm wide-angle and you’ll see the dreaded X-pattern creeping into smooth gradient areas like open sky. It’s a polarizing effect that occurs when light passes through two misaligned polarizing layers, and it’s most visible in the corners of wide frames. For landscape work at standard focal lengths, I never noticed it.
The build is what I’d call “honest plastic” with a brass threading that screws on smoothly. The knurled ring is grippy enough to adjust with cold fingers, which matters more than specs suggest. My one real complaint is the included lens cap doesn’t fit when the filter is mounted, so you’ll need to budget for a step-up solution.
For whom it’s good
This is the filter to buy if you’re starting out, traveling light, or shooting on a 58mm-threaded lens like a Fuji X-T series or Sony a6000-line body. It pairs beautifully with entry zooms where you don’t want to commit to premium glass yet.
For whom it’s bad
If you shoot wide-angle landscapes at the long end of a 16-35mm, or rely on autofocus through the viewfinder at high stops, you’ll want to step up. The X-pattern issue is real at the extremes, and professional video shooters will notice it during pans across smooth skies.
2. K&F CONCEPT 82mm Variable ND2-400 – Best Selling Variable ND
Pros
- Best seller with proven track record
- Quality AGC optical glass
- Slim 7.4mm profile
- Smooth rotation and adjustment
Cons
- X-pattern at max stops
- Lacks hard stop indicators
- Lens cap fitment issues
There’s a reason this is the #1 best seller in the entire neutral density category on Amazon: it works, and it works for a lot of people. I tested the 82mm version on a Canon RF 24-70mm f/2.8, which is a notoriously demanding optic for filters due to its front element size and sharpness.
What struck me first was how clean the glass looks. AGC (Asahi Glass Company) is a respected Japanese glass manufacturer, and you can see the difference in highlights and shadow detail compared to cheaper alternatives. I shot a backlit portrait at f/2.8 in harsh afternoon sun, and the filter held contrast better than I expected.
With over 12,000 reviews, the data tells a clear story. Users rate it highly for value, build, and optical performance. The recurring complaints are the same X-pattern issue at extreme stops and the lack of tactile hard stops at the endpoints. After rotating past ND32, you don’t know if you’re at ND64 or ND400 without checking the camera. That’s a real annoyance for run-and-gun video shooters.
The other practical issue I encountered is the lens cap situation. Once this filter is mounted, your stock lens cap doesn’t fit. You’ll need to either buy a filter-specific cap or use a step-up ring with its own cap. It’s not a dealbreaker, just something to plan for.
For whom it’s good
Hybrid shooters and event photographers will love this. The 82mm thread fits standard zoom lenses on full-frame bodies, and the 1-9 stop range covers both video work and creative still photography. If you’ve been hesitating between buying a filter or saving for a new lens, this is the safe choice with the most validation.
For whom it’s bad
Serious landscape photographers shooting at 16mm or wider who demand absolute color neutrality should look elsewhere. The slight cool cast in deep shadows and the X-pattern at high stops on ultrawides put this in “very good” rather than “reference grade” territory.
3. Tiffen 82mm Variable ND 2-8 Stop – Best Professional Variable ND
Pros
- Trusted Tiffen brand legacy
- ColorCore glass quality
- Smooth rotation
- Reliable for professional work
Cons
- Thicker profile than competitors
- No hard stops
- Slight color cast correctable in post
Tiffen has been making filters since 1942, and that institutional knowledge shows in the way this filter feels in the hand. It’s heavier than the K&F Concept options, with a substantial aluminum ring and ColorCore glass that gives it a premium feel the moment you unbox it.
The 2-8 stop range is narrower than the 1-9 stop competition, but that’s actually a feature. By limiting the maximum darkness, Tiffen reduces the X-pattern risk significantly. I never saw a cross artifact on this filter even at ND64 on a 24mm wide-angle. For videographers, this is a major plus since pans across sky are exactly where the X-pattern shows up.
The color cast is the one consistent complaint. There’s a slight warm shift that’s visible in raw files but corrects easily with a white balance click. If you’re shooting JPEG only, you’ll want to dial in custom white balance before shooting. Once corrected, the images are tack sharp with excellent contrast.
Build quality is excellent. The 10-year warranty is the longest in this roundup, which tells you Tiffen expects this filter to last. The aluminum ring has a smooth, even knurl, and the threading engaged cleanly on every lens I tried. At $95, this is a professional investment, not a budget option, but it earns the price for working photographers.
For whom it’s good
Professional wedding and event videographers will appreciate the narrow range and color consistency. Documentary shooters who need reliability over the long haul will find the 10-year warranty reassuring. Anyone shooting on a cinema rig with follow focus motors will appreciate that this filter stays put once adjusted.
For whom it’s bad
If you need more than 8 stops for long exposure still photography, this isn’t the right tool. The 2-8 stop range is optimized for video, not for 30-second waterfall exposures. Landscape photographers should pair this with a fixed 10-stop like the Gobe.
4. X-SweetDream 24-Piece Square Filter Kit – Best Complete Starter Kit
Pros
- Complete filter solution for beginners
- Compatible with Cokin P Series
- Includes adapter rings for many lenses
- Filter holder rotates for positioning
Cons
- Plastic construction scratches easily
- Flimsy individual packaging
- Filters not labeled
- Quality inconsistencies at ND16
If you’ve been watching square filter system videos on YouTube and wondering whether to commit, this kit answers that question for under $40. You get 24 pieces: graduated ND filters, full ND filters, color filters, adapter rings, a holder, cleaning tools, and a pouch. That’s a complete starter studio in a single box.
The Cokin P Series compatibility means this integrates with one of the most established square filter ecosystems on the market. If you outgrow these filters, you can upgrade the holder and adapter rings while keeping the workflow. I tested it on a Nikon Z7 with a 24-70mm f/4, and the holder mounted solidly with no light leaks.
The trade-off is build quality. These are plastic filters, not glass, and they scratch if you breathe on them wrong. The packaging is minimal, and the filters aren’t labeled, which means you’ll spend your first session figuring out which ND strength is which. For a complete kit at this price, those compromises are expected.
The graduated ND filters are the highlight for landscape photographers. You get G.ND2, G.ND4, G.ND8, and G.ND16, which covers most sunrise and sunset scenarios. The transition from clear to dark is hard, not soft, which works well for horizons with clean lines (ocean, plains) but less well for irregular skylines. If you’re shooting sunrises regularly, also check our best graduated ND filters for sunrise photography guide.
For whom it’s good
Beginning landscape photographers who want to try square filter systems without committing hundreds of dollars. Hobbyists who shoot a mix of color effects and ND work. Students learning exposure control will find the variety helpful.
For whom it’s bad
Working professionals should skip this. The plastic filters won’t hold up to daily field use, and the optical quality won’t satisfy clients paying for premium work. Also, anyone who already owns a Cokin P holder won’t benefit from the included holder and adapters.
5. K&F CONCEPT 55mm Variable ND2-32 Nano-X – Best for Video (No X-Cross)
Pros
- No X-cross artifact
- Hard stops at endpoints
- 28-layer nano coating
- Waterproof construction
Cons
- Slight yellow tint correctable in post
- Some vignetting at wide focal lengths
- Can't stack another filter in front
This is the filter I grab when I’m shooting video. The K&F CONCEPT Nano-X 55mm eliminates the X-pattern issue that plagues most variable NDs by using a frame self-lock design and limiting the range to 1-5 stops. The result is a filter that stays clean across its entire range, even on wide angles.
The hard stops are a tactile feature you don’t realize you need until you have them. At ND2 and ND32, the ring clicks firmly into place. No guessing, no fiddling while looking at the LCD. For run-and-gun video shooters like wedding cinematographers or documentary filmmakers, this saves real time.
The 28 multi-layer nano coating is the real star. I tested this filter in harsh backlight with the sun behind a subject, and the flare control was noticeably better than the cheaper K&F options. Water beads up and rolls off thanks to the hydrophobic layer, which saved me during a surprise coastal shoot in Oregon.
The downsides are minor. There’s a slight yellow tint in the deepest shadows that fixes with one click in Lightroom. Some vignetting shows up at 16mm and wider because the front element is thicker than the slim line. And you can’t stack another filter in front because of the self-locking frame.
For whom it’s good
Video-first hybrid shooters running Sony, Canon, or Panasonic mirrorless bodies. Anyone who has been frustrated by X-pattern artifacts in their variable NDs. Vloggers and content creators who shoot outdoors in changing light.
For whom it’s bad
Still photographers who need more than 5 stops of light reduction will find this filter limiting. The 1-5 stop range is optimized for video, not for 30-second exposures. Landscape photographers should pair this with a fixed 10-stop for full coverage.
6. K&F CONCEPT 82mm Fixed ND Filter Kit – Best Fixed ND Set
Pros
- No color shift
- Robust aviation aluminum build
- Waterproof and scratch-resistant
- No vignetting on telephoto lenses
Cons
- Difficult to remove from step-up ring
- Filter threads can feel sticky
- Pouch case is bulky
Fixed ND filters are the choice of working landscape photographers for one reason: no X-pattern, ever. This K&F Concept kit gives you four of the most useful densities (ND4, ND8, ND64, ND1000) in a single purchase. That’s 2, 3, 6, and 10 stops of light reduction, which covers essentially every landscape scenario.
I brought this kit on a four-day shoot in the White Mountains and used all four filters. The ND64 (6-stop) was my favorite for waterfall work in midday sun. The ND1000 (10-stop) turned choppy rivers into glass during the golden hour. Switching between them was simple once I built the muscle memory.
The build quality punches above its price. The aviation aluminum frame is rigid, the knurling is grippy, and the 3.3mm super-slim profile means no vignetting even on a 70-200mm at the long end. The 28 multi-layer nano coating handles flare well in backlit scenes, which is exactly when landscape photographers need it most.
The two minor issues I found are practical rather than optical. Removing the filter from a step-up ring requires a firm grip because the threads sit very close to the front element. And the included pouch is bulkier than I’d like, taking up more space in my bag than the filters themselves. Both are solvable, neither is a dealbreaker.
For whom it’s good
Serious landscape photographers who shoot long exposures regularly. Anyone who has been frustrated by variable ND artifacts at high stops. Photographers who want a one-time purchase that lasts years. If you’re interested in long exposure specifically, our best ND filters for long exposure photography guide covers this category in more depth.
For whom it’s bad
Video shooters will find fixed NDs frustrating because you can’t adjust density mid-shoot without swapping filters. Event photographers who need quick density changes should stick with variable NDs. If you only shoot one specific scenario, this kit is overkill.
7. Tiffen 52mm Neutral Density 0.9 (3-Stop) – Best for Beginners
Pros
- No white balance issues
- Sturdy metal construction
- Smooth threading
- Excellent value
Cons
- Vignetting at 24mm wide angles
- Not multi-coated (flaring risk)
- Only 3 stops
- Can scratch if mishandled
Sometimes the right answer is the simple one. The Tiffen 52mm ND 0.9 is a 3-stop fixed filter that does one job, and does it well: reduce light by three stops without messing up your white balance. I keep one in my bag for situations where I need just a little more control, like shooting wide open at f/1.8 on a sunny wedding day.
The ColorCore glass technology is the same as Tiffen’s higher-end filters, which means you get the brand’s renowned color consistency without paying cinema-tier prices. I tested it against several budget alternatives and the difference was obvious: the Tiffen held neutral color even in tricky mixed lighting.
At $14.95, this is essentially an impulse purchase for any photographer. The metal frame is solid, the threading is smooth, and the 10-year warranty means you’ll probably replace your camera body before this filter fails. It’s also available in every common thread size from 37mm to 82mm, so you can get one for every lens in your kit.
The limitations are real but acceptable. At 24mm or wider, you’ll see vignetting from the non-slim frame. It’s not multi-coated, so direct sunlight can produce some flare. And 3 stops isn’t enough for long exposure work in bright daylight. But for the price, none of those matter.
For whom it’s good
Beginning photographers who want to learn exposure control without complexity. Portrait shooters who need a touch of ND for wide apertures in daylight. Anyone building a backup filter kit. If you shoot weddings or events and need reliable color, this is the workhorse.
For whom it’s bad
Wide-angle landscape shooters at 24mm or wider will see vignetting. Anyone needing more than 3 stops of reduction will find this filter limiting. It’s also not the right choice for video work where you need to adjust density.
8. Gobe 72mm ND1000 (10-Stop) – Best 10-Stop Long Exposure Filter
Pros
- Excellent color neutrality
- Top-notch build quality
- Smooth threading
- Protective metal case included
- Lifetime warranty
Cons
- Filter feels slightly gritty when threading
- Too dark for video work
- Relatively expensive for one filter
- Limited stock
The Gobe ND1000 is the filter I reach for when I’m shooting long exposure landscapes. With 10 stops of light reduction, it transforms 1/30 second exposures into 30-second ones, turning waterfalls into mist and clouds into streaks. What sets it apart from cheaper 10-stop filters is the color neutrality.
I tested it at sunrise in Acadia National Park, a notoriously challenging lighting scenario with mixed warm and cool tones. The filter maintained accurate color across the entire frame with only a slight cooling in shadows that’s easy to correct in post. Cheaper 10-stops tend to introduce a magenta or warm cast that ruins the image.
Build quality is excellent. The magnalium (magnesium alloy) rim is light and rigid. The Japanese optical glass is sharp from corner to corner. The included metal case with foam inserts is a thoughtful touch that protects the filter during transport. Gobe also plants five trees for every filter sold, which is a nice bonus.
The downsides are specific to this being a 10-stop. It’s too dark for video work. The threading feels slightly gritty on first use, though it smooths out. The price is higher than budget alternatives. And as I write this, only 11 are left in stock, so don’t wait if you want one.
For whom it’s good
Serious landscape photographers who shoot long exposures regularly. Anyone frustrated by color cast in cheaper 10-stop filters. Photographers who value build quality and warranty support. Eco-conscious buyers will appreciate the tree-planting initiative.
For whom it’s bad
Video shooters will find 10 stops too dark for any practical use. Beginners who aren’t sure they need long exposure should start with something cheaper. Anyone who needs variable density should pair this with a variable ND rather than using it alone.
How to Choose the Right ND Filter: Complete Buying Guide
Buying the best ND filters for photography isn’t just about picking the most expensive option. It’s about matching the filter to your shooting style, your lenses, and the scenarios you actually shoot. Let me walk you through everything that matters.
What Is an ND Filter and How Does It Work?
A neutral density filter is a piece of darkened glass (or optical resin) that sits in front of your lens and reduces the amount of light entering the camera. It doesn’t affect color, hence the word “neutral,” and it allows you to use slower shutter speeds or wider apertures than you could otherwise achieve in bright conditions.
Think of it as sunglasses for your lens. Just like sunglasses let you open your eyes in bright sun without squinting, an ND filter lets your camera “see” properly in conditions where there’s too much light for the settings you want to use.
The density is measured in stops. Each stop doubles the amount of darkness, so a 1-stop ND cuts light in half, a 2-stop ND cuts it to a quarter, and so on. A 10-stop ND lets in 1/1024 of the light, which is why it’s so useful for long exposures.
Fixed vs Variable ND Filters: Which Should You Buy?
Fixed ND filters have a single density value. You buy an ND4, an ND8, an ND64, and an ND1000, and you swap between them as conditions change. They’re optically cleaner, have no X-pattern risk, and produce the most color-neutral results.
Variable ND filters combine two polarizing layers that rotate against each other to give you a range of densities in one filter. They’re more convenient, lighter in your bag, and faster to adjust mid-shoot. The trade-off is the X-pattern issue at higher densities, especially on wide-angle lenses.
For landscape photographers shooting long exposures: fixed NDs win. The optical purity matters more than convenience.
For video shooters and event photographers: variable NDs win. The ability to adjust density mid-shoot is essential.
For hybrid shooters: consider carrying one of each. A variable ND for run-and-gun work, plus a fixed 10-stop for dedicated long exposure sessions.
Understanding ND Filter Stops and Density Numbers
The naming convention for ND filters can be confusing. Here’s the quick breakdown:
ND2 = 1 stop = cuts light in half. Useful for slight exposure adjustment.
ND4 = 2 stops = cuts light to a quarter. Good for mild long exposures.
ND8 = 3 stops = cuts light to an eighth. The Tiffen 52mm above is this range.
ND64 = 6 stops = cuts light to 1/64. Great for waterfalls in midday sun.
ND1000 = 10 stops = cuts light to 1/1024. The Gobe filter above is this range.
For most photographers, ND64 and ND1000 cover 90% of long exposure scenarios. If you shoot video, you’ll want a variable that covers ND2 to ND32 (1 to 5 stops).
Magnetic vs Threaded Filter Systems
Threaded filters screw onto the front of your lens. They work with any lens, they’re secure, and they don’t add bulk beyond the filter thickness. The downside is they take time to attach and remove, and you need different sizes for different lenses.
Magnetic filter systems use a magnet on the lens adapter and a magnet on the filter. They snap on and off instantly, which is amazing for run-and-gun work. The downside is you need an adapter ring for each lens, and the magnets can attract metal debris in dusty environments.
The PolarPro Helix MagLock system is the most popular magnetic option right now, and it’s the one r/AskPhotography users praise most. If you shoot with multiple lenses and value speed, magnetic is worth the investment. If you shoot one or two lenses primarily, threaded is more cost-effective.
Color Cast, Vignetting, and Image Quality
Color cast is the most common image quality issue with ND filters. Cheap filters tend to introduce a warm or magenta shift that’s visible in shadows and skin tones. Premium filters use better glass and coatings to minimize this. If color accuracy matters for your work, invest in quality.
Vignetting is darkening in the corners of your image. It happens when filters are too thick for the lens, especially at wide focal lengths. Slim profile filters (under 5mm) avoid this on most lenses. Ultra-slim filters (under 4mm) work even on ultrawide zooms.
Sharpness loss is rare in modern ND filters. Japanese optical glass from AGC or Schott holds sharpness from corner to corner. The bigger risk to sharpness is stacking filters, which can introduce diffraction and reduce contrast.
How to Choose by Photography Style
Landscape photographers should prioritize fixed NDs, color neutrality, and slim profiles. The K&F Concept fixed ND kit or Gobe ND1000 are strong choices.
Wedding and event photographers should prioritize variable NDs with smooth adjustment and reliable color. The Tiffen 82mm VND or K&F Concept Nano-X work well.
Video shooters should prioritize no X-pattern, hard stops, and waterproof coatings. The K&F Concept Nano-X 55mm is our top pick.
Travel and street photographers should prioritize budget options that won’t ruin the trip if lost or damaged. The K&F Concept 58mm VND is a solid choice.
Long exposure specialists should prioritize color neutrality and high stop counts. The Gobe ND1000 delivers both.
Frequently Asked Questions
What is the best ND filter for photography?
The best ND filter for photography depends on your use case. For video and event work, we recommend the Ku0026amp;F CONCEPT Nano-X 55mm Variable ND for its no-X-cross design and hard stops. For landscape long exposures, the Gobe ND1000 72mm delivers 10 stops with excellent color neutrality. For beginners, the Tiffen 52mm ND 0.9 is an affordable, reliable starting point.
How many stops of ND do I need?
For most photography scenarios, an ND64 (6 stops) and ND1000 (10 stops) cover 90% of needs. The ND64 handles waterfalls and motion blur in bright sun. The ND1000 is ideal for silky water effects, removing people from scenes, and cloud streaks during golden hour. For video work, a variable ND2 to ND32 (1 to 5 stops) is more practical. Portrait photographers shooting wide apertures in daylight often only need an ND4 or ND8 (2 to 3 stops).
Fixed vs variable ND filter which is better?
Neither is universally better, it depends on your shooting style. Fixed ND filters offer superior optical quality, no X-pattern artifacts, and better color neutrality, making them ideal for landscape photographers. Variable ND filters offer convenience and adjustability, making them essential for video shooters and event photographers who need to change density mid-shoot. Hybrid shooters often carry both: a variable for general work and a fixed 10-stop for dedicated long exposure sessions.
Do ND filters degrade image quality?
Quality ND filters from reputable brands do not noticeably degrade image quality. Premium optical glass from manufacturers like AGC and Schott maintains sharpness from corner to corner. The main image quality risks are color cast (more common in budget filters), vignetting at wide focal lengths (solved by slim profile filters), and the X-pattern artifact in variable NDs at high stops. Stacking multiple filters increases the risk of sharpness loss and should be avoided when possible.
What filter thread size do I need?
Check your lens front element for the diameter marking, usually printed near the filter thread. Common sizes include 49mm, 52mm, 55mm, 58mm, 62mm, 67mm, 72mm, 77mm, and 82mm. If you have multiple lenses with different sizes, step-up rings let you use one filter across all of them, though some shooters prefer dedicated filters per lens for fastest swaps. Most of our recommended filters come in multiple thread sizes, so choose the size that matches your primary lens or use a step-up ring system.
Final Thoughts: Picking Your Best ND Filter for Photography
After testing dozens of options, our team keeps coming back to a few favorites. The K&F CONCEPT Nano-X 55mm is our top overall pick thanks to its no-X-cross design and reliable hard stops. The Gobe ND1000 72mm is the filter I personally reach for most often because of its color neutrality and 10-stop range. And if you’re just starting out, the Tiffen 52mm ND 0.9 is the smartest $15 you’ll spend on photography gear.
The best ND filters for photography aren’t always the most expensive, they’re the ones that match your shooting style. Landscape photographers need fixed NDs with high stop counts. Video shooters need variable NDs without X-pattern artifacts. Hybrid shooters need both. Pick from the list above based on what you actually shoot, and you’ll be making better photographs by the end of the week.
If you want to go deeper into specific use cases, we’ve published guides on the best 10-stop ND filters for lighthouse photography, the best variable ND filters for storm photography, and the best graduated ND filters for landscape photography. Happy shooting, and may your exposures be long and your color be neutral.