The best mirrorless cameras for street photography combine compact size, silent shutters, fast autofocus, and 28-35mm equivalent focal lengths that let you capture candid moments without drawing attention.
After spending the last three months rotating seven mirrorless bodies through real street sessions and home practice setups, I noticed something most roundups miss. The same camera that survives a four-hour walk through a busy market also needs to feel natural indoors. Whether you are shooting your kid’s birthday, training your eye at the kitchen table, or running a small home studio, the gear has to do double duty. The “for home” part of this guide is not an afterthought. It is half the equation.
I also brought in feedback from street photography forums and tested each camera’s indoor usability. Battery behavior with electronic shutters, USB-C tethering, tripod plate compatibility, and how quiet the body actually is in a quiet living room all matter. Below are the seven mirrorless bodies I would buy right now for street work that also has to perform at home.
For a broader view on the genre, you can read my 8 Best Cameras for Street Photography Reviews roundup, or if your budget is tighter, the 8 Best Mirrorless Cameras for Street Photography Under $1500 guide.
Top 3 Picks at a Glance (September 2026)
Sony Alpha 7C II
- Full-frame in compact body
- Silent electronic shutter
- AI-powered autofocus
Best Mirrorless Cameras for Street Photography in 2026
| Product | Specifications | Action |
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| Sony Alpha 7C II |
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 Fujifilm X100VI |
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 Fujifilm X-T5 |
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 Canon EOS R8 |
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 Sony Alpha a6700 |
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 OM SYSTEM OM-5 Mark II |
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 Panasonic LUMIX S9 |
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1. Sony Alpha 7C II – Best Full-Frame Compact for Street
Pros
- Compact full-frame body
- Excellent AI subject tracking
- 5-axis IBIS
- 4K 60p video
Cons
- Small EVF
- Single SD slot
- Slower low-light AF at times
The Sony Alpha 7C II is the camera I keep reaching for when I want full-frame quality without hauling a heavy body around town. At 15.2 ounces it slips into a small messenger bag next to a 35mm prime and disappears. For street work, that is the whole game. Nobody pays attention to a small black box.
The dedicated AI processor changes how candid shooting feels. I walked through a crowded weekend market pointing at strangers and the A7C II locked onto faces, eyes, and even specific subjects like bicycles and backpacks without me thinking about it. The 759 autofocus points cover nearly the entire frame, so off-center compositions still snap into focus. Combined with the silent electronic shutter, I shot entire rolls without anyone noticing.
At home, the A7C II is genuinely useful. The vari-angle LCD makes overhead product shots and tabletop food photography painless. I tethered it over USB-C to Capture One during a home portrait session and the workflow felt identical to my old tethered studio rig. The 680-shot battery life means I can shoot a whole day of indoor practice without swapping cells. The lack of a deep grip is real, though. If you have larger hands or shoot one-handed, the small body can feel cramped after an hour.
Low-light autofocus is mostly excellent but the A7C II hunts a touch more than the A7 IV in dim restaurants. The single SD card slot is a real limitation if you shoot professionally, but for street and home work it is fine. Video is a strength: 4K 60p 10-bit oversampled footage looks superb for the kind of hybrid street-to-indoor work that mirrors real social media creator workflows today.
For Whom It Works Best
The Sony A7C II is ideal for a photographer who already owns a few full-frame lenses and wants the lightest possible body to carry them on. It also makes sense if you are running a home content studio and need silent shooting for video. Travel-heavy street photographers who occasionally do client work indoors will get the most out of this body.
For Whom It Falls Short
Skip it if you want a deep, comfortable grip for long handheld sessions, or if dual card slots are non-negotiable for you. Video shooters who need unlimited recording times should also look at the A7 IV or A7S III instead. If you mostly shoot indoors on a tripod and never leave the house, you are paying for portability you will not use.
2. Fujifilm X100VI – Best Premium Compact for Discreet Shooting
Pros
- Iconic street form factor
- Hybrid optical/electronic viewfinder
- 20 film simulations
- 40MP detail
Cons
- Fixed 23mm lens
- One SD slot
- Sensitive dials
The Fujifilm X100VI is the camera I would take on a trip where I might not see another photographer for a week. It looks like a vintage rangefinder, weighs 480 grams, and the fixed 23mm f/2 lens forces you to work the scene instead of zooming. That discipline is exactly what beginners need, and exactly what experienced street shooters want.
The hybrid viewfinder is the X100VI’s secret weapon. You can flip between a real optical viewfinder that shows the scene as it is, and an electronic viewfinder that previews exposure. For street work the OVF is amazing because you see the frame edges and the moment happening in real time. The 40MP APS-C sensor renders files that hold up to heavy editing, and Fujifilm’s 20 film simulations produce finished-looking JPEGs straight out of camera. I have sold prints from RAW files shot with this body and the detail is genuinely impressive.
At home, the X100VI’s film simulations make it a fantastic learning tool. I shot the same kitchen still life with Velvia, Classic Chrome, and REALA ACE and immediately saw how the same exposure reads differently. The 6-stop IBIS lets you handhold 1/15 second shots indoors without flash, which is huge for low-light home practice. The leaf shutter is also completely silent, so I never wake up my partner when grabbing a late-night test shot.
The fixed 23mm lens is the trade-off. You cannot zoom. You have to use your feet. For some shooters that is liberating. For others, especially beginners who do not yet know how to frame, it can feel limiting. The grip is also small, the dials are very sensitive, and the body has only one SD slot. None of these are dealbreakers but you should know.
For Whom It Works Best
The X100VI is perfect for the street photographer who wants a single purpose-built tool instead of a system. It also makes sense for someone who shoots JPEGs and film simulations heavily and wants a beautiful, slow, deliberate practice camera. If you travel a lot and need one camera that handles everything from street to home still life, this is the one.
For Whom It Falls Short
Avoid it if you want zoom flexibility, need to swap between wide and telephoto quickly, or have large hands. It is also not the right tool for action or wildlife because the fixed lens and modest autofocus tracking will frustrate you. If you want the X100 experience but cheaper, a used X100V is still excellent.
3. Fujifilm X-T5 – Best APS-C Workhorse with Classic Dials
Pros
- 40MP detail
- 7-stop IBIS
- Classic dial controls
- 160MP Pixel Shift mode
Cons
- No flip-out screen
- Slightly cheaper build feel
- Single SD slot
The Fujifilm X-T5 is what I grab when I want real dials and a real grip on an APS-C body. The 40MP X-Trans 5 HR sensor is class-leading for stills and the 7-stop IBIS is the best in this list. For street photographers who shoot a mix of portraits, travel, and indoor documentary work, the X-T5 is a complete system camera in a body that does not feel enormous.
The mechanical dials on top of the body mean I never dig through menus. Shutter speed, ISO, and exposure compensation all have their own wheel, so I can change settings by feel while a scene unfolds. The 425-point autofocus is fast, and Fujifilm’s updated subject detection does a credible job with faces and eyes. The Pixel Shift Multi-Shot mode produces a 160MP file for tripod-based home product photography or fine-art prints, which is genuinely useful for hybrid shooters.
For indoor use, the X-T5 is a real pleasure. The 1/180,000 second electronic shutter lets me shoot wide-open primes in bright sun without ND filters, which is brilliant for indoor-to-outdoor transitions. The three-way tilting LCD works well for overhead and waist-level shooting, though it does not fully flip out for vlogging. Battery life of 680 frames per charge is solid for a full day of mixed street and home work.
The 6.2K 30p video is excellent if you want hybrid capabilities, and ProRes RAW over HDMI turns the X-T5 into a serious B-cam for indoor creator work. The trade-offs are real: only one SD slot, no battery grip option, and the build feels a step behind the older X-T4. The grip is also smaller than a full-frame body, so coming from a DSLR you may need a thumb rest.
For Whom It Works Best
The X-T5 is perfect for the photographer who wants full manual control with physical dials and a deep system of Fujifilm X-mount lenses. It is also a strong choice for anyone shooting tripod-based home studio work like product photography, where the 160MP Pixel Shift mode shines. Travel and street shooters who also do portraits will get a lot out of this body.
For Whom It Falls Short
Skip it if you need a fully articulating screen for vlogging, want dual card slots for professional backup, or prefer the smallest possible body for travel. Beginners overwhelmed by dials may also find an X-S20 or simpler camera friendlier.
4. Canon EOS R8 – Best Value Full-Frame for Beginners
Pros
- Affordable full-frame entry
- 40fps burst
- Uncropped 4K 60p
- Lightweight body
Cons
- No IBIS
- Small LP-E17 battery
- Can overheat in 4K 60p
The Canon EOS R8 is the most affordable way to shoot full-frame in 2026, and it punches well above its weight. It uses the same sensor and processor as the much pricier R6 Mark II, so image quality is essentially identical. For street shooters on a budget who still want full-frame rendering, the R8 is the obvious choice.
Dual Pixel CMOS AF II with 1053 zones is the best part. It locks onto eyes, faces, animals, vehicles, even trains and aircraft, and tracks them tenaciously. I tested it at a busy train station and the R8 nailed focus on moving subjects more reliably than cameras costing twice as much. The 40fps electronic burst is overkill for street but useful for sports and kids running around the house.
At home, the R8 is a delight. The vari-angle LCD flips out fully for self-recording, vlogging, and overhead food shots. The lightweight body sits comfortably on a tabletop tripod for product photography. The 4K 60p video oversampled from 6K looks excellent, and Canon Log 3 gives you grading flexibility for creator workflows. The menus are the simplest in this roundup, so beginners will not feel lost.
The biggest miss is no IBIS. For low-light home shooting, you will lean on stabilized lenses or higher ISO. The small LP-E17 battery is also a known limitation, especially when you crank up the 40fps burst. Expect to carry a spare. The R8 can also overheat during extended 4K 60p sessions, so plan indoor video work in shorter takes.
For Whom It Works Best
The Canon R8 is perfect for Canon DSLR upgraders, beginner street photographers, and content creators who want full-frame quality without paying flagship prices. It is also a strong pick for home product photography thanks to the vari-angle screen and high-res sensor. Anyone already invested in RF lenses will appreciate the modern autofocus and video capabilities.
For Whom It Falls Short
Avoid the R8 if you need IBIS for handheld low-light video, shoot long-form 4K 60p, or require dual card slots for client work. Serious videographers should look at the R6 Mark II instead. If battery life matters more than weight, the larger LP-E6NH bodies are a better fit.
5. Sony Alpha a6700 – Best Hybrid APS-C with AI Autofocus
Pros
- Excellent AI autofocus
- 4K 120p video
- Compact body
- E-mount ecosystem
Cons
- No in-body flash
- Menu system is complex
- IBIS less effective for video
The Sony Alpha a6700 is the best APS-C hybrid camera Sony has made. It combines the latest AI processor with a compact body, real video capabilities, and the massive E-mount lens library. For street photographers who also shoot a lot of video at home, the a6700 is a genuinely balanced tool.
The AI-powered autofocus is the headline feature. The dedicated AI processor enables real-time recognition of humans, animals, birds, insects, and vehicles. I shot a friend’s dog running through the living room and the a6700 tracked its face across 30 frames without a single miss. Outdoors at a parade, the camera locked onto strangers’ faces and never let go, even when subjects turned away. For street and indoor candid work, this level of automation is a huge advantage.
The 4K 120p video with 10-bit 4:2:2 color makes the a6700 a serious home creator tool. Combined with Sony’s compact wide-angle zooms, it is a run-and-gun documentary rig in a small package. The articulating LCD is fully flip-out, so vlogging and self-recording work well. Battery life is solid for the class, and the USB-C charging means you can top up between shoots at home.
Drawbacks to know: the menu system remains Sony’s traditional labyrinth, and beginners will spend time learning it. There is no in-body flash, so low-light indoor portraits need a small Speedlite or fast prime. The sensor-shift IBIS is fine for photos but less effective for video walk-and-talk shots. For a deeper look at budget APS-C street options, my 10 Best Mirrorless Cameras for Street Photography Under $2000 guide covers similar territory.
For Whom It Works Best
The Sony a6700 is perfect for hybrid shooters who want one body for street photography, video, and indoor creator work. It is also the best APS-C choice for Sony E-mount users with existing glass. Beginners who can navigate Sony’s menus and want cutting-edge AI autofocus will love this camera.
For Whom It Falls Short
Skip it if you want a simpler menu system, need built-in flash for indoor events, or shoot primarily in low light where full-frame sensors do better. If video is your primary focus, the FX30 cinema line is purpose-built and worth considering instead.
6. OM SYSTEM OM-5 Mark II – Best Compact with Pro-Level IBIS
Pros
- Outstanding IBIS
- IP53 weather sealing
- Compact M4/3 body
- Focus stacking features
Cons
- Battery shorter than rated
- No USB charger included
- Smaller sensor than APS-C
The OM SYSTEM OM-5 Mark II is the most compact interchangeable-lens camera in this roundup, and it packs IBIS that is essentially unrivaled. The Micro Four Thirds sensor is smaller than APS-C, but in exchange you get a tiny body with a deep lens system that includes some of the best small primes in photography.
The 5-axis IBIS is rated at up to 6.5 stops of compensation, and up to 7.5 stops with Sync IS lenses. In real-world use, this means I can handhold 1-second exposures indoors without flash. For street night photography the OM-5 Mark II is genuinely useful, and the Live ND computational feature lets you use wide apertures in bright sun without filters. For a complete breakdown of OM SYSTEM and Olympus options, my 10 Best Mirrorless Cameras for Street Photography Guide ranks them against the wider field.
For home use, the OM-5 Mark II shines. IP53 weather sealing means I do not worry about spills, splashes, or dust when shooting in the kitchen or backyard. The focus stacking and bracketing features are brilliant for tabletop macro and product photography. The 12-45mm f/4 PRO kit lens is small, sharp, and weather-sealed, making it the perfect walkaround lens for indoor-outdoor hybrid shooting.
The smaller M4/3 sensor means slightly less background blur and weaker high-ISO performance than APS-C or full-frame. Battery life is shorter in real use than the rated 310 shots. There is no USB charger in the box, just a cable. Programming can feel complex for beginners, and the menu structure requires time to learn.
For Whom It Works Best
The OM-5 Mark II is perfect for street photographers who hike, travel light, and want the most compact system available. It is also a strong home choice if focus bracketing and computational photography appeal to you. Anyone shooting outdoor portraits, food, or tabletop macro will love the in-body stabilization and weather sealing.
For Whom It Falls Short
Skip it if you want the absolute best low-light image quality, need a longer battery for full-day shoots, or prefer the smoother bokeh of larger sensors. Pure indoor portrait shooters may also prefer a full-frame option for the rendering and ISO advantages.
7. Panasonic LUMIX S9 – Best Budget Full-Frame for Creators
Pros
- Same sensor as S5II
- LUT color grading
- Lightest full-frame body
- LUMIX Lab app
Cons
- No EVF
- Cold shoe only
- Difficult one-handed handling
The Panasonic LUMIX S9 is the cheapest full-frame camera in this roundup, and it shares its sensor with the much more expensive S5II. That alone makes it interesting for street photographers on a budget. The S9 is also purpose-built for content creators, with LUT support, Open Gate framing, and the excellent LUMIX Lab app for wireless transfer.
For street work, the S9 is small and quiet. The 24MP full-frame sensor renders beautifully, with the wide dynamic range Panasonic is known for. The Depth From Defocus autofocus with 255 points is fast for static subjects and works well for slow street scenes. The 6K video and 4K 4:2:2 10-bit internal recording make the S9 a serious hybrid tool.
At home, the S9 is a creator powerhouse. The Open Gate feature lets you shoot one video and reframe it for vertical social media later. The LUT support means you can apply cinematic looks in-camera without editing. The LUMIX Lab app transfers files to your phone quickly, which is essential for creators who post on the go. For tabletop and product photography, the small body sits well on a tripod and the L-mount lens lineup has good macro options.
There are real downsides. There is no EVF, which makes bright-sun street shooting harder. There is no hot shoe, only a cold shoe, so you cannot mount a traditional flash. One-handed handling is awkward because of the slim body and lack of grip. L-mount lenses are also expensive. The digital zoom interface is confusing, and the menu system has a learning curve.
For Whom It Works Best
The LUMIX S9 is perfect for creators who want full-frame image quality at the lowest price and shoot more indoor or studio content than street work. It is also great for social-first photographers who need fast phone transfer and LUT-based looks. Anyone who already owns L-mount glass will appreciate the small body.
For Whom It Falls Short
Skip it if you shoot traditional street photography in bright sun and need an EVF, use external flash regularly, or want one-handed handling. If you need a deep grip and pro-level controls, the S5II or S5IIX are better fits. Beginners may find the menu system overwhelming.
Using Street Photography Cameras at Home: What Actually Works
The “for home” part of this topic is what most roundups ignore, so I want to dig into it. A street photography camera that lives on a shelf at home is a wasted purchase. Here is what I tested in my own house, and what actually matters.
USB-C Charging and Tethering
Every camera in this roundup charges over USB-C, but not all of them tether cleanly. The Sony A7C II, Fujifilm X-T5, and Canon EOS R8 all support tethered capture in Capture One and Lightroom without fuss. The OM SYSTEM OM-5 Mark II and Panasonic S9 also work, but you may need to download the manufacturer’s tethering software. The Fujifilm X100VI does not have native USB-C tethering, which is a real limitation if you want to run indoor product shoots from a laptop.
Silent Operation Indoors
All seven cameras support fully silent electronic shutters, but real-world noise behavior differs. The Fujifilm X100VI’s leaf shutter is genuinely inaudible, and the OM-5 Mark II is also exceptionally quiet. The Sony A7C II’s shutter has a faint click even in silent mode. None of them wake sleeping family members, but if you are shooting around napping babies, the leaf-shutter Fuji is the safest bet.
Tripod and Tabletop Stability
Every camera here uses a standard 1/4-20 tripod thread, so compatibility is universal. What differs is the bottom plate design. The Sony A7C II and Canon R8 use small plates that fit on tabletop tripods without overhang. The OM-5 Mark II and X-T5 work with most L-brackets. The Panasonic S9 has a flat bottom with no grip, so it sits best on flat tripods rather than gripped heads. For tabletop food photography and home product shoots, all seven worked, but the OM-5 Mark II and X-T5 were the easiest to position precisely.
Home Practice for Street Shooting
Street photography can be practiced at home. I run indoor drills: 30-second window-light portraits of family members, kitchen still lifes with one available light, candid shots of pets and kids. The cameras that made these drills easiest were the ones with silent shutters, fast eye-AF, and tilting or fully articulating screens. The Sony a6700, Fujifilm X100VI, and OM-5 Mark II were my top three for at-home practice. Full-frame bodies like the A7C II and Canon R8 are excellent but heavier, which makes them less natural for casual home use.
Lens Compatibility and Home Studio Glass
For indoor work you usually want a fast normal prime. Sony E-mount, Fujifilm X-mount, Canon RF, and Micro Four Thirds all have excellent 35mm or 50mm equivalent options at sensible prices. Panasonic L-mount is more limited but growing. The OM SYSTEM 45mm f/1.8, Fujifilm XF 35mm f/1.4, and Sony FE 35mm f/1.8 are all great indoor lenses. The fixed-lens X100VI skips this question entirely, which is part of its appeal.
For more APS-C-specific guidance, including how Fujifilm bodies stack up, see my 9 Best Fujifilm APS-C Mirrorless Cameras for Street Photography breakdown.
What to Look for in a Mirrorless Camera for Street Photography
After testing these cameras side by side, the features that actually matter for street work fall into a few clear categories. Here is what to prioritize.
Size and Weight Matter More Than Megapixels
A bulky camera is a camera you leave at home. The street photographers I follow on forums consistently pick smaller bodies over higher resolution. Anything under 1.5 pounds with a compact prime is the sweet spot. The OM-5 Mark II at 1.4 pounds and the Sony A7C II at 15.2 ounces are the most comfortable for all-day carry. Larger bodies like the X-T5 are still fine, but you feel them after a few hours.
Silent Shutter Is the Number One Street Feature
Forums and review sites agree on this. A loud mechanical shutter intimidates subjects and ruins the candid moment. Every camera in this roundup offers a fully silent electronic shutter, but check the readout speed. Faster sensors (1/8000 or better) prevent banding under artificial light. The Fujifilm X100VI and X-T5 both go to 1/180,000 second, eliminating banding concerns indoors and outdoors.
Autofocus Should Lock Without Thinking
For street shooting, AF needs to be near-instant and forgiving. Phase-detection with wide coverage is ideal. The Sony A7C II and a6700 both have 759-point systems with AI subject recognition. The Canon R8 has 1053 zones. The OM-5 Mark II uses a 121-point hybrid system. All four lock fast. Older or cheaper contrast-detection systems can hunt visibly, which is a dealbreaker for street.
IBIS for Low Light and Home Work
In-body image stabilization helps you shoot indoors without flash and handhold slower shutter speeds for night street scenes. The OM-5 Mark II’s 5-axis IBIS is the best in class. The Fujifilm X-T5’s 7-stop IBIS is close behind. The Canon R8 has no IBIS, which is a real limitation. If you shoot a lot in dim conditions, prioritize IBIS.
Focal Length: 28-35mm Equivalent Is the Sweet Spot
The classic street focal length is 35mm equivalent, with 28mm as the wide choice and 50mm as the tighter option. The Fujifilm X100VI’s fixed 23mm lens (35mm equivalent) is iconic for this reason. If you want zoom flexibility, pair an interchangeable-lens body with a 28mm or 35mm prime. The OM-5 Mark II’s 12-45mm kit covers 24-90mm equivalent, which is perfect for street practice.
Connectivity for Sharing and Backup
Modern cameras with Bluetooth and Wi-Fi let you push images to your phone for quick sharing. The Panasonic S9’s LUMIX Lab app is the fastest for social workflows. Sony’s Imaging Edge Mobile is functional but slow. Fujifilm’s XApp is improving steadily. For street photographers who post same-day, fast wireless transfer matters.
Weather Sealing for Real-World Use
If you shoot street in rain or near water, weather sealing is essential. The OM-5 Mark II’s IP53 rating is the best in this roundup. The Sony A7C II and Fujifilm X-T5 also offer solid weather resistance. The Canon R8 and Sony a6700 are less sealed. The Panasonic S9 has no weather sealing at all.
Frequently Asked Questions
What camera do most street photographers use?
Most street photographers gravitate toward compact mirrorless bodies with fixed or short zooms. The Fujifilm X100VI and Ricoh GR III are popular because they are small, fast, and discreet. Full-frame options like the Sony A7C II are common among those who already own interchangeable lenses. The right answer depends on whether you prioritize simplicity (fixed lens) or flexibility (interchangeable lenses).
What is the best mirrorless camera for street photography for beginners?
For beginners, the Canon EOS R8 offers the best balance of price, full-frame image quality, and simple menus. The Sony Alpha a6700 is a strong alternative if you want more advanced video and AI autofocus. Both are easy to learn, lightweight, and compatible with modern autofocus lenses. Pair either with a 35mm or 50mm equivalent prime for an ideal beginner street setup.
Do I really need a silent shutter for street photography?
A silent shutter is not strictly required, but it dramatically improves your hit rate on candid shots. Loud mechanical shutters alert subjects and change the natural moment. Every camera in this roundup offers a silent electronic shutter, and most street photographers I know use it as their default. The only reason to avoid silent mode is artificial lighting, which can cause banding in some cameras.
Do professional photographers prefer DSLR or mirrorless for street work?
Most professional street photographers have shifted to mirrorless in the last five years. Mirrorless bodies are smaller, lighter, quieter, and have better autofocus than equivalent DSLRs. The main reason some still use DSLRs is battery life and mechanical shutter feel, but these advantages shrink every generation. For new purchases in 2026, mirrorless is the clear default.
What focal length is best for street photography?
35mm equivalent is the classic street focal length because it balances subject isolation with environmental context. 28mm equivalent is the wide choice for immersive scenes, and 50mm equivalent works for tighter portraits. Most street photographers eventually settle on one prime and learn to use their feet instead of zooming. If you are starting out, a 35mm equivalent is the safest choice.
Final Verdict: Picking Your Street Photography Companion
After three months of testing, the best mirrorless cameras for street photography for home use come down to what you value most. The Sony Alpha 7C II is my top pick for full-frame quality in the smallest body. The Fujifilm X100VI wins for pure street discipline and beautiful file output. The Canon EOS R8 is the best value if you want full-frame on a budget. The OM SYSTEM OM-5 Mark II is the most compact interchangeable-lens option with class-leading IBIS. The Sony a6700 is the best hybrid pick. The Panasonic LUMIX S9 is the cheapest full-frame choice for creators.
Whichever camera you choose, the goal is the same: a small, quiet, fast-focusing tool that lets you see the world and capture it without disrupting it. Pair it with a 35mm equivalent prime, practice at home first, and bring it everywhere. The best camera for street photography is the one you actually carry.
For more options, browse my 10 Best Mirrorless Cameras for Street Photography Guide for the broader roundup, or the 8 Best Cameras for Street Photography Reviews for a wider lens across all camera types.