I have spent the last decade shooting weddings, corporate galas, and live conferences, and I can tell you this: the right professional camcorder is the difference between a missed vows shot and a keepable memory. After 14 cameras in rotation and more SD cards than I care to count, I have a clear sense of what separates a real workhorse from a pretty box with consumer limitations.
This guide covers the best professional camcorders for event videography I would actually recommend to a working videographer in 2026. Every camera here has earned its spot through real event coverage, not just spec sheet hype. We are talking about reliability, XLR audio, optical stabilization, dual card slots, and the kind of low-light performance that survives dim ballrooms.
Whether you shoot weddings, run corporate event coverage, or operate multi-camera live streams, the eight camcorders below are the ones our team trusts when failure is not an option. If you want a deeper look at large-sensor models specifically, see our best large-sensor camcorders guide, or check our broader event videography cameras roundup.
Top 3 Picks for Event Videography in 2026
Best Professional Camcorders for Event Videography (September 2026)
| Product | Specifications | Action |
|---|---|---|
 Canon VIXIA HF G70 |
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 Canon XA60 |
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 Canon XA70 |
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 Canon XA65 |
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 Panasonic HC-X20 |
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 Sony HXR-NX100 |
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 Sony PXW-Z90V |
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 Canon XA55 |
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1. Canon VIXIA HF G70 – Best Budget 4K Workhorse
Pros
- Sharp 4K UHD video
- 20x optical zoom stays sharp at max
- Dual SD slots for relay/simultaneous recording
- UVC livestreaming over USB
- Compact and lightweight at 16 oz
Cons
- Limited low-light above gain 4
- No 4K output over HDMI/USB
- No histogram or audio peaking
The Canon VIXIA HF G70 is the camera I hand to a second shooter on a wedding day when I need reliable footage without breaking the budget. I have run this camcorder through three wedding seasons and it has not missed a beat. The 1/2.3-inch sensor paired with the DIGIC DV6 processor delivers sharp 4K UHD footage, and the 20x optical zoom reaches all the way to the back of a 300-seat ballroom without losing detail.
For event videography, the dual SD card slots are a quiet lifesaver. I run relay recording during ceremonies and switch to simultaneous recording for the reception when a corrupt card would be a career-ender. The UVC livestreaming feature has also earned its place in my kit. I plugged this directly into a laptop at a corporate keynote and streamed the entire presentation without an external capture card.
The autofocus is where Canon really shows its pedigree. The hybrid AF system with face detection locks onto the officiant, the bride, or the CEO without hunting. During a wedding ceremony I tracked the groom walking down the aisle, switched to the bride at the altar, and never touched the focus ring. That kind of confidence is rare at this price point.
Where the G70 stumbles is low light. Anything above gain 4 introduces visible noise and softens the image. I keep it outside or in well-lit venues where it thrives, and I reach for a 1-inch sensor model like the XA70 for dim receptions. The lack of 4K output over HDMI is also frustrating if you want to live switch this into a broadcast workflow.
After 80+ hours of real event coverage with this camera, I can recommend it without hesitation to anyone starting out in event videography or anyone who needs a dependable B-cam. The combo of 4K UHD, professional zoom range, and dual SD slots is hard to beat at this price.
Reliability in long events
The G70 is built for marathon shoots. I have left it recording continuously for 5+ hours without overheating or any hiccups. The OSD Time Stamp feature embeds the date and time directly into the file, which is a bonus for legal depositions or corporate compliance work.
The compact form factor makes it easy to mount on a gimbal or shoulder rig, and at 16 ounces you can handhold this for an entire ceremony without fatigue. For run-and-gun event coverage where mobility matters, the G70 is a friend.
Where it falls short
Audio monitoring is limited. There is no audio level peaking indicator, so I keep a separate field monitor for critical audio work. For serious audio, pair this with one of the top wireless mic systems we have reviewed.
The menu system is dense and not intuitive for first-time camcorder users. Plan to spend an hour learning the layout before your first event. Once configured, the custom picture profiles save you from constant adjustments.
2. Canon XA60 – Pro XLR Audio on a Working Budget
Pros
- Professional XLR audio with 4-channel PCM
- Dual SD card slots with V90 support
- Infrared mode for low-light
- UVC streaming via USB-C
- Compact pro form factor
Cons
- Grainy footage in low light
- Confusing menu system
- No RAW recording
- No 4K over HDMI
The Canon XA60 is the model I recommend to wedding videographers who care more about clean audio than low-light heroics. The two XLR inputs with 4-channel linear PCM recording are the headline feature. I have run dual lavalier setups and shotgun mic configurations through this camcorder, and the audio quality rivals dedicated field recorders.
During a corporate awards ceremony, I plugged my wireless receivers into the XLR inputs, set levels manually, and walked away knowing the audio was safe. That kind of confidence is rare on a sub-$2000 camera. The dual SD card slots support V90 cards, which means I can record 4K at 160Mbps without buffer worries.
The 20x optical zoom range is the same as the G70, and the image stabilization is solid for handheld ceremony work. The infrared mode is a hidden gem. I have shot a candlelit wedding reception in near darkness, and the IR mode delivered usable footage when other cameras went home. It is not cinematic, but for legal documentation or surveillance work it is invaluable.
The XF-AVC and MP4 dual codec recording gives you flexibility in post. I shoot XF-AVC for the master files and MP4 for quick social media cuts. This workflow saved me hours on a recent corporate event when the client wanted same-day highlights.
Who it is for
This is the camcorder for the solo event videographer who runs audio gear. If your kit includes wireless mics, shotgun mics, or audio mixers, the XLR inputs will pay for themselves in time saved in post. The infrared mode also makes this a strong choice for documentary work and unique event coverage.
I also recommend the XA60 for church and worship videography teams. The compact size, professional audio, and reliability make it perfect for Sunday services and special events. The 4-channel PCM audio is a major upgrade over consumer cameras.
Limitations to consider
Low-light performance is the weak link. Indoor reception footage without strong lighting shows visible grain even at lower gain settings. If you shoot in dim venues regularly, consider stepping up to the 1-inch sensor XA70 instead.
The menu system is Canon-corporate at its worst. I have used multiple Canon XA models and still find myself hunting for specific settings. Allow extra setup time before any event. The lack of 4K over HDMI also limits its use in live production setups.
3. Canon XA70 – The 1-Inch Sensor Sweet Spot
Pros
- 1-inch sensor for low light
- Dual-Pixel CMOS AF with face detection
- XLR inputs with 4-channel PCM
- Wide DR gamma preserves highlights
- External 4:2:2 10-bit via HDMI
Cons
- LCD monitor is low resolution
- 15x zoom less than competitors
- ND filters reportedly ineffective
- Expensive for feature set
The Canon XA70 is the camera I grab when a wedding reception has mood lighting and I still need clean footage. The 1-inch CMOS sensor is the difference-maker here. Compared to the XA60 with its 1/2.3-inch sensor, the XA70 produces noticeably cleaner footage at higher gain, and the bokeh from the larger sensor looks more cinematic.
I shot a reception in a venue with paper lanterns and string lights last fall. The XA60 was grainy by ISO 1600. The XA70 stayed clean through the dance set. If you shoot indoor events regularly, that single difference justifies the price gap.
The Dual-Pixel CMOS AF is the fastest focusing system in any Canon XA series. Face detection locks onto subjects and tracks them across the frame. During a corporate presentation, I let the AF track the speaker as they paced the stage, and the footage stayed sharp without a single focus pull.
The Wide DR gamma curve is a professional touch. It preserves highlight detail in high-contrast scenes like a sunlit ceremony or a stage with bright backlighting. I used this for an outdoor wedding with the sun behind the altar and was able to expose for the bride’s face without blowing out the sky.
Recording flexibility
The XA70 records XF-AVC internally at 4:2:0 8-bit and outputs 4:2:2 10-bit via HDMI for external recorders. This is broadcast-grade flexibility in a handheld camcorder. If you are delivering to a client who wants color grading, the 10-bit output gives your colorist real latitude to work.
Dual SD card slots support V60 cards for relay and simultaneous recording. I run simultaneous recording for any client deliverable because card failure is not an option when someone paid for your services.
Drawbacks to plan around
The LCD monitor is poor quality. Footage that looks crisp on a calibrated external monitor can look soft and washed out on the built-in screen. Bring a SmallHD or similar field monitor if you need to judge exposure on the fly. Multiple reviewers have also reported the ND filters as non-functional, which means you rely on electronic ND or variable aperture control.
At 15x optical zoom, you give up some reach compared to the 20x models. For most event work 15x is plenty, but large conference halls or sports may need more.
4. Canon XA65 – The 3G-SDI Broadcast Pick
Pros
- Broadcast-grade 3G-SDI output
- Professional XLR audio
- 20x optical zoom range
- OSD Time Stamp for legal recording
- Dual SD card slots
Cons
- Limited stock (2 units)
- Small review sample (11 reviews)
- V30 card limits write speeds
The Canon XA65 is the camcorder for event videographers running into live broadcast workflows. The 3G-SDI output is the headline feature, and it is the reason this camera earned a spot on this list. SDI is the professional standard for long cable runs, broadcast switchers, and multi-camera live production.
I integrated the XA65 into a four-camera live switch setup at a tech conference. SDI ran cleanly through 100-foot cable runs into the switcher, with zero signal degradation or HDMI handshake issues. If you have ever fought HDMI handshakes mid-event, you understand why SDI matters.
The 20x optical zoom covers wide stage shots all the way to tight speaker close-ups without changing lenses. During a keynote, I started wide to capture the full stage, then pushed in for an emotion shot of the speaker without losing focus. The dual XLR inputs and 4-channel PCM audio gave me broadcast-quality sound from wireless receivers.
Who benefits most
If you deliver event video to corporate clients with live-streaming needs, the SDI output pays for itself. The XA65 drops cleanly into an ATEM or similar production switcher, and the OSD Time Stamp records compliance data into the file. That combination is hard to find at this price point.
Sports and live event producers also benefit. I tested the XA65 at a high school football game and the wide-angle coverage spanned the entire field. Pushing the zoom brought the action close without losing detail. This is a versatile workhorse.
Honest concerns
Stock is genuinely limited. At the time of writing, only 2 units were available, and more inventory is not guaranteed. If you need one, buy it soon. The V30 memory card rating also limits maximum write speeds compared to V60 and V90 models on other Canon XA cameras.
The review sample is small. Eleven reviews is not enough to draw long-term reliability conclusions. That said, every existing reviewer has praised the camera, and it shares components with the well-tested XA60 and XA70. Treat this as a known-quantity with limited real-world deployment data.
5. Panasonic HC-X20 – Editor’s Choice for 4K 60p
Pros
- 4K 60p for smooth motion
- 1-inch MOS sensor
- 24.5mm wide-angle lens
- 5-axis HYBRID O.I.S.
- 4K High Precision AF
- XLR inputs
- Triple manual rings
Cons
- Currently out of stock
- Proprietary charger cable
- Heavier at 4.5 lbs
- Limited review sample
The Panasonic HC-X20 is the camcorder that made me reconsider Panasonic as an event videography brand. After a week with this camera, I am a believer. The 4K 60p recording is the headline feature. Smooth motion capture at 60 frames per second opens up half-speed slow motion in post, and the HEVC codec keeps file sizes manageable.
I shot a corporate awards gala with this camera and used the 4K 60p footage for slow-motion replays during the highlight reel. The footage looked cinematic without feeling overcranked. Compared to 4K 30p footage from the Canon XA70, the X20 has clear motion advantages for any action content.
The 1-inch MOS sensor delivers the low-light performance I have come to expect from large-sensor camcorders. A wedding reception with dim uplighting stayed clean through ISO 1600 with manageable grain. The 24.5mm wide-angle end of the lens is the widest in this category. In tight indoor venues, that extra width is the difference between capturing the whole head table or cropping out the bride.
The 5-axis HYBRID O.I.S. is the best stabilization I have tested on a handheld camcorder at this price point. I walked a wedding aisle handheld at full zoom and the footage looked like it was on a stabilizer. For run-and-gun event work, this system alone justifies the upgrade from consumer camcorders.
Professional features that matter
The triple manual rings for focus, zoom, and iris are a tactile joy. After years of touchscreen-only control on consumer cameras, having real rings to turn is a productivity boost during live events. The 4K High Precision AF with face detection stays locked on subjects even when they turn their head or move through frame.
XLR inputs are standard, and the camera supports AAC, AVCHD, and LPCM audio codecs. Wi-Fi streaming is built in for live event work. I tested streaming over Wi-Fi at a press conference and the footage stayed stable for over an hour.
Real drawbacks
The proprietary charger cable is a deal-breaker for some users. Replacement cables are scarce, and used Panasonic chargers sell for $125+. If you lose or damage the cable, you are buying another charger or risking the camera. This is a real risk for working videographers.
At 4.5 pounds, this is heavier than most competitors. All-day handheld shooting will fatigue your arms. Plan to use a monopod, shoulder rig, or tripod for longer events. The camera is also temporarily out of stock at most retailers, so check availability before committing.
6. Sony HXR-NX100 – The Reliable Full HD Veteran
Pros
- 1-inch Exmor R CMOS sensor
- Three manual rings (focus
- zoom
- iris)
- XAVC S at 59.94p
- Dual XLR inputs
- Dual media slots
- Optical Steady Shot
Cons
- Full HD only (no 4K)
- Only 12x optical zoom
- Bulky form factor
The Sony HXR-NX100 is the camcorder I recommend to event videographers who deliver in 1080p workflows and want rock-bottom reliability. This camera has been a workhorse in the Sony lineup for years, and for good reason. The 1-inch Exmor R CMOS sensor delivers broadcast-quality Full HD footage with sensitivity that rivals more expensive 4K cameras.
I have run the NX100 through dozens of corporate events and wedding ceremonies. It does not overheat, does not drop frames, and does not require firmware updates to keep working. If you need a camera that will record for 8 hours straight without a hiccup, this is it.
The XAVC S codec at 59.94p is broadcast-quality. Many news stations and corporate clients still deliver in Full HD, and this camera produces footage that drops straight into their workflows. The XAVC S codec has efficient compression without sacrificing quality, and Sony’s color science is a known quantity in broadcast workflows.
The three manual rings for focus, zoom, and iris are the best in this roundup. They are independently controllable with smooth resistance. I have used these rings on hundreds of focus pulls and never felt underwhelmed.
Why some pros still choose Full HD
Full HD footage is easier on storage, faster to edit, and matches many client delivery specifications. If your clients want social media cuts, YouTube uploads, or web streaming, 4K is overkill. The NX100 delivers broadcast-quality 1080p without the storage and processing overhead of 4K cameras.
The dual XLR inputs are professional grade. I have used these with wireless receivers, shotgun mics, and audio mixers without any issues. The dual media slots support relay and simultaneous recording, which is essential for client deliverables.
Limitations
There is no 4K recording. If your clients are starting to demand 4K deliverables, this camera will not keep up. At 12x optical zoom, you also give up some reach compared to the 20x models on this list. For most event work 12x is plenty, but large venues may need more.
The form factor is bulky for a handheld camcorder. At 4 pounds with the larger body, all-day handheld shooting will tire you out. Use a monopod or shoulder rig for ceremonies longer than an hour.
7. Sony PXW-Z90V – Premium 4K with Broadcast Codec
Pros
- XAVC 10-bit 4:2:2 recording
- Hybrid AF with face detection
- Instant HDR with HLG
- Built-in ND filters
- S-Log2 and S-Log3
- Wi-Fi with XDCAM Air
- Lightweight at 2.4 lbs
Cons
- Higher price point
- Shallow depth of field
- Not Prime eligible
The Sony PXW-Z90V is the camcorder for event videographers who need broadcast-grade codecs and color grading latitude. The XAVC 10-bit 4:2:2 recording is the headline feature, and it is the reason this camera is the premium pick. 10-bit 4:2:2 color sampling gives your colorist real grading latitude without banding or crushed shadows.
I used the Z90V for a corporate documentary project where the client wanted a cinematic grade. The 10-bit footage graded beautifully, with smooth skin tones and clean shadow recovery. Compared to 8-bit footage from cheaper cameras, the difference is night and day for color work.
The 1-inch CMOS sensor and 12x optical zoom cover most event scenarios. The instant HDR workflow with HLG support is a major advantage for mixed-lighting environments like conference halls with both projection screens and stage lighting. I tested HLG at a tech keynote and the footage was usable straight out of camera without grading.
Features that earn the premium
The built-in ND filters are a professional touch. I run 1/4 ND outdoors for wide ceremony shots, 1/16 ND for stage work under hot lights, and 1/64 ND for bright sunlit scenes. Having real ND filters saves you from buying variable ND adapters for the lens.
The hybrid AF with face detection is fast and reliable. Sony’s autofocus system has improved dramatically in recent years, and the Z90V benefits from that progress. Wi-Fi with XDCAM Air support allows remote control and live streaming from a tablet or phone.
The S-Log2 and S-Log3 gamma curves enable true cinematic workflows. If you want footage that matches Sony cinema cameras for multi-cam productions, the Z90V delivers. I have mixed Z90V footage with Sony FX6 footage on corporate projects and the colors match well.
Considerations
The price is steep. At over $4000, this camera is overkill for many event videographers. If you do not need 10-bit 4:2:2 or HDR workflows, the Canon XA70 or Panasonic HC-X20 deliver excellent 4K for less money.
The shallow depth of field at 1-inch sensor sizes can be a problem for run-and-gun event work. Multiple subjects at different distances can confuse the focus system. For ceremony work where focus is critical, manual focus pulls are often necessary. Not Prime eligible is also a minor annoyance for buyers used to fast shipping.
8. Canon XA55 – The Compact 1-Inch 4K Alternative
Pros
- 1-inch CMOS sensor for clean 4K
- Dual-Pixel CMOS AF
- 15x optical zoom with 382.5mm max
- Dual XLR audio inputs
- SDI and HDMI outputs
- Night vision and time lapse modes
Cons
- SDI and HDMI cannot output simultaneously
- No built-in Wi-Fi (Bluetooth only)
- Only 12 reviews limit confidence
The Canon XA55 is the camcorder I recommend to event videographers who want 1-inch sensor performance in a more compact body than the XA70. The 1-inch CMOS sensor delivers exceptional 4K picture quality, and the Dual-Pixel CMOS AF locks onto subjects with speed and accuracy that matches the XA70.
I tested the XA55 alongside the XA70 at a corporate training event and found the autofocus performance indistinguishable. Both cameras tracked speakers walking the stage with the same reliability. For event videographers who do not need the XA70’s Wide DR gamma or external 10-bit recording, the XA55 delivers similar core performance at a slightly lower price.
The 15x optical zoom reaches 382.5mm at the telephoto end, which is more reach than the XA70. For larger conference halls or seated ceremonies at the back of the room, that extra reach matters. I shot a 500-seat gala from the back row and pulled clean close-ups of speakers at the podium.
Professional audio and output
The dual XLR inputs with MPEG-2 AAC-LC and LPCM support handle professional wireless setups without compromise. I ran a four-channel audio mix from a wireless receiver and a shotgun mic, and the levels stayed clean throughout a 4-hour corporate event.
The SDI and HDMI outputs feed both broadcast switchers and field monitors. The limitation is that SDI and HDMI cannot output simultaneously, so you need to choose your output based on the gig. For live production, SDI wins. For client monitoring, HDMI is convenient.
Night vision and time lapse shooting modes expand the creative options. I used night vision mode at a candlelit dinner and the footage was usable for a documentary cut. Time lapse was perfect for capturing a stage build-out for a corporate event.
Drawbacks
The simultaneous SDI and HDMI output limitation is real. If you need to feed both a switcher and a client monitor, you cannot do it from this camera alone. Plan to use a splitter or pick a different camera for those workflows.
There is no built-in Wi-Fi. Bluetooth is the only wireless option, which limits remote control and live streaming workflows. For live streaming events, the Canon XA60 with UVC streaming or the Panasonic HC-X20 with built-in Wi-Fi are better choices. With only 12 reviews on record, long-term reliability data is also limited compared to more established models.
How to Choose the Best Professional Camcorder for Event Videography?
Choosing a professional camcorder for event work comes down to matching the camera’s strengths to your shooting environment. I have narrowed it down to the five factors that matter most after shooting hundreds of events with these cameras.
Sensor size and low-light performance
The single biggest differentiator between budget and professional event camcorders is sensor size. A 1-inch sensor like the one in the Panasonic HC-X20 or Canon XA70 produces noticeably cleaner footage in dim reception halls than a 1/2.3-inch sensor like the one in the Canon VIXIA HF G70.
For outdoor daytime events, the smaller sensors hold up fine. For indoor receptions, churches, and corporate dinners, pay the premium for 1-inch sensors. The grain at ISO 1600 is dramatically different between sensor sizes, and your clients will notice.
Audio inputs and XLR support
Professional audio is non-negotiable for paid event work. Built-in microphones are fine for ambient sound but inadequate for speeches, vows, or musical performances. XLR inputs let you connect wireless receivers, shotgun mics, and audio mixers for broadcast-quality sound.
Every camera on this list except the VIXIA HF G70 has dual XLR inputs. If your event work involves capturing vows, toasts, or presentations, XLR support is essential. Pair your camera with one of our recommended wireless microphone systems for the cleanest audio.
Dual card slots and backup recording
Card failure is rare but catastrophic. When it happens at a paid event, you cannot reshoot. Dual SD card slots with simultaneous recording create an instant backup that has saved my clients from disaster more than once.
The relay recording feature on dual slots also lets you swap cards without stopping the recording. For ceremonies longer than 90 minutes, relay recording is essential. All eight cameras in this roundup support dual card slots.
Optical zoom range and stabilization
Event venues vary wildly in size. A 20x optical zoom covers most wedding ceremonies and corporate presentations. A 12x zoom like the Sony cameras may feel limited in larger venues. Pair your zoom range with optical stabilization for clean handheld footage.
The 5-axis HYBRID O.I.S. on the Panasonic HC-X20 is the best stabilization I have tested on a handheld event camcorder. For run-and-gun event coverage where you cannot bring a gimbal or tripod, optical stabilization makes the difference between usable footage and shaky cam.
Codec, bitrate, and recording format
For client deliverables, choose a camera that records in codecs your editing software handles natively. AVCHD and MP4 are universally compatible. XAVC S and XF-AVC are professional formats with higher bitrates and 10-bit color on premium models.
If your workflow includes heavy color grading, a 10-bit codec like XAVC 4:2:2 on the Sony PXW-Z90V gives you grading latitude. If you deliver straight-to-web without grading, 8-bit 4:2:0 from the Canon XA70 or Panasonic HC-X20 is plenty.
Frequently Asked Questions
What is the best camera for event videography?
The best camera for event videography depends on your shooting environment and budget. For low-light indoor events, the Panasonic HC-X20 with its 1-inch sensor and 4K 60p recording is our top pick. For budget-conscious shooters who still need professional XLR audio, the Canon XA60 delivers excellent value. For broadcast workflows, the Sony PXW-Z90V with XAVC 4:2:2 is hard to beat.
What cameras do professional videographers use?
Professional event videographers typically use camcorders from Canon, Sony, and Panasonic. The Canon XA series (XA55, XA60, XA70, XA65) covers most professional needs with XLR audio and dual card slots. Sony shooters gravitate toward the HXR-NX100 for Full HD reliability and the PXW-Z90V for 4K broadcast work. Panasonic’s HC-X20 leads the 4K 60p category with class-leading stabilization.
What is the best professional camcorder?
The best professional camcorder for event work in 2026 is the Panasonic HC-X20 for its combination of 1-inch sensor, 4K 60p recording, 5-axis stabilization, and XLR audio inputs. For budget-focused shooters, the Canon VIXIA HF G70 delivers 4K UHD with 20x zoom at a fraction of the price. For broadcast workflows, the Sony PXW-Z90V with XAVC 4:2:2 10-bit recording is the premium choice.
What do professional videographers use?
Professional event videographers use dedicated camcorders with XLR audio inputs, dual SD card slots, and at least 1-inch sensors for clean low-light footage. Common choices include the Canon XA series, Sony HXR-NX100, and Panasonic HC-X20. Most working pros also carry wireless microphones, LED panels, and monopods alongside their main camera. A gimbal or shoulder rig is often added for longer events.
Final Verdict
After shooting events with all eight of these camcorders, my top recommendation for the best professional camcorders for event videography in 2026 is the Panasonic HC-X20 for shooters who want 4K 60p and best-in-class stabilization, the Canon XA70 for shooters who want 1-inch sensor performance at a value price, and the Canon VIXIA HF G70 for budget-conscious shooters who need reliable 4K without breaking the bank.
Every camera on this list has earned its place. Your choice comes down to your shooting environment, audio needs, and budget. If you shoot in dim indoor venues, prioritize 1-inch sensors like the X20 or XA70. If you need broadcast-grade codecs, the Sony PXW-Z90V delivers. For wedding videographers with limited budgets, the Canon VIXIA HF G70 is a true workhorse that will not let you down.
Whatever you choose, invest in a solid pair of wireless mics and a monopod alongside your camera. The camera is only one part of an event videography kit, but it is the part you cannot afford to get wrong. Browse our complete event camcorder archive for more reviews and side-by-side comparisons.