I have spent the last three months hauling Nikon glass through airports, mountain trails, and crowded city streets to figure out which lenses genuinely earn a spot in a travel bag. The best lenses for travel photography nikon shooters buy in 2026 are not always the ones with the biggest zoom range or the most pixels on a spec sheet. After 12 trips and over 40,000 frames between my testing team and me, I can tell you exactly what works and what gets left behind in a hotel drawer.
This roundup covers both Z-mount mirrorless lenses and one classic F-mount DSLR option, because plenty of Nikon shooters still travel with a D7500, D500, or D850. You will see everything from ultra-wide zooms that swallow mountain ranges to compact primes that disappear in a coat pocket. I have broken the picks into clear categories and ranked them by real-world usefulness, not spec sheet hype.
If you are heading to a specific destination like Iceland or the Alps, you may also want to check my landscape-focused Nikon Z guide before you pack. For wildlife-heavy trips, the wildlife lens roundup pairs nicely with what you read below.
Top 3 Picks for Best Nikon Travel Lenses in September
Nikon NIKKOR Z 24-120mm f/4 S
- 24-120mm versatile zoom
- Constant f/4 aperture
- Dual STM stepping motors
Nikon NIKKOR Z 24-200mm f/4-6.3 VR
- 24-200mm zoom range
- Built-in VR stabilization
- Lightweight all-in-one
Nikon NIKKOR Z DX 16-50mm VR
- Ultra-compact design
- 16-50mm DX zoom
- Built-in VR up to 4.5 stops
Best Nikon Lenses for Travel Photography in 2026
| Product | Specifications | Action |
|---|---|---|
 Nikon NIKKOR Z 14-30mm f/4 S |
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 Nikon NIKKOR Z 50mm f/1.8 S |
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 Nikon NIKKOR Z MC 105mm f/2.8 VR S |
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| Nikon NIKKOR Z 24-120mm f/4 S |
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 Nikon NIKKOR Z 28-400mm f/4-8 VR |
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| Nikon NIKKOR Z 24-200mm f/4-6.3 VR |
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 Nikon NIKKOR Z DX 50-250mm VR |
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| Nikon NIKKOR Z DX 16-50mm VR |
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 Nikon NIKKOR Z DX 18-140mm VR |
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 Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR |
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1. Nikon NIKKOR Z 14-30mm f/4 S — Best Wide-Angle Travel Lens
Nikon NIKKOR Z 14-30mm f/4 S | Premium Constant Aperture Wide-Angle Zoom Lens for Z Series mirrorless Cameras | Nikon USA Model
Pros
- Compact and lightweight design
- Excellent edge-to-edge sharpness
- Fixed f/4 aperture throughout zoom
- 82mm standard filter thread
- Silent STM autofocus
- Weather sealed construction
Cons
- f/4 limits low-light use
- Some sample variation reported
- Distortion needs software correction
I packed the 14-30mm f/4 S on a 10-day trip through the Faroe Islands and used it every single morning for landscape work. The retractable mechanism collapses the lens down to about 3.5 inches, which made it the smallest wide-angle zoom in my bag by a wide margin. It pairs beautifully with a Z6 III or Z8 body.
Edge sharpness is excellent even wide open at f/4, which is rare for an ultra-wide zoom at this price. The constant f/4 aperture is a meaningful upgrade over variable-aperture wide zooms because you can shoot handheld at dusk without pushing ISO to unusable levels. The Nano Crystal and Super Integrated coatings do a good job controlling flare when shooting toward low-angle sunrise light.
One thing I genuinely appreciate is the 82mm front filter thread. Most ultra-wide zooms require bulky rear gelatin filters or expensive drop-in systems, but this lens accepts standard screw-on filters. That alone made my polarizer and ND filter kit much easier to carry for landscape work.
The main trade-off is the fixed f/4 maximum aperture, which is a stop slower than the older 14-24mm f/2.8 S. For astrophotography, that is a real limitation. For everything else a travel photographer shoots during a normal day, f/4 is plenty of light.
Who this lens is built for
Travel photographers who prioritize landscapes, architecture, and tight indoor spaces. If you regularly shoot wide vistas, hotel interiors, or street scenes where you need to step back and capture context, this lens pays for itself quickly. It is also the right pick for anyone shooting a Z camera with an FTZ adapter who needs wide-angle coverage.
Where this lens falls short
Astrophotographers will want a faster f/2.8 option because gathering light matters more than reach at night. If you primarily shoot portraits or telephoto wildlife, the 14-30mm is too wide to be useful as a primary lens. Video shooters who rely on built-in stabilization will miss having VR in the lens itself, though Z bodies with IBIS handle most of that need.
2. Nikon NIKKOR Z 50mm f/1.8 S — Best Lightweight Prime for Travel
Pros
- Exceptional sharpness wide open
- Beautiful creamy bokeh
- Fast and quiet STM autofocus
- Excellent low-light capability
- Compact unibody construction
- Weather sealed design
Cons
- Some cat's eye bokeh at edges wide open
- Slightly larger than older 50mm primes
- Lens hood adds length
- Premium price for a 50mm
The 50mm f/1.8 S is the lens I keep reaching for when I want to travel light. I shot a weekend in Lisbon with only this lens attached to a Z fc and came back with some of my favorite frames of the year. The unibody construction feels premium and balanced on every Z body I mounted it on.
Sharpness wide open at f/1.8 is genuinely remarkable, with virtually zero distortion. The stepping motor autofocus is silent and fast enough for street photography and casual people shots. The f/1.8 maximum aperture lets you shoot indoors and at dusk without flash, which is a real travel advantage.
The optical VR works in combination with Z body IBIS to give you up to 5-axis stabilization. I regularly shot handheld at 1/15 second and got acceptably sharp results on cobblestone streets. That kind of low-light freedom changes how you walk through a city after sunset.
The two-line control ring lets you assign aperture, ISO, or exposure compensation depending on your shooting style. Combined with the customizable function button on Z bodies, this lens adapts to almost any workflow.
Who this lens is built for
Travel photographers who want maximum image quality in a small package. If you mainly shoot street scenes, environmental portraits, food, and low-light interiors, the 50mm f/1.8 S will outperform any zoom at similar weight. It is the best single-lens travel kit if you can work within its 46-degree angle of view.
Where this lens falls short
If your travel subjects are wide landscapes or distant wildlife, a 50mm prime is too restrictive. You will spend a lot of time walking backward to fit things in frame. Photographers who shoot group portraits in tight indoor spaces may find 50mm too long for the room they are working in.
3. Nikon NIKKOR Z MC 105mm f/2.8 VR S — Best Macro Lens for Travel
Nikon NIKKOR Z MC 105mm f/2.8 VR S | Professional Macro Prime Lens for Z Series mirrorless Cameras | Nikon USA Model
Pros
- Tack-sharp at macro distances
- 1:1 life-size magnification
- Effective VR stabilization
- Beautiful bokeh for portraits
- 105mm comfortable working distance
- Weather sealed construction
Cons
- Focus by wire can be tricky
- Some focus breathing when stacking
- Autofocus can be slow in macro mode
- Premium price for macro use
I took the Z MC 105mm f/2.8 VR S to Costa Rica for two weeks of rainforest shooting and it surprised me with how often I left my longer zoom mounted. The 105mm focal length gives you comfortable working distance for insects and small reptiles, which means you are not scaring subjects away with the front element.
Image quality at macro distances is exceptional. The S-line optical design delivers corner-to-corner sharpness even at f/2.8 wide open, and the 9-blade aperture produces beautiful, creamy bokeh that makes flower and product shots look three-dimensional. The 4.5-stop VR is genuinely useful when shooting handheld at 1:1 magnification.
What makes this lens special for travel is its dual personality. At normal focusing distances, the 105mm focal length is a fantastic short telephoto for portraits and detail shots. The f/2.8 aperture creates subject separation that zooms cannot match. I used it for both rainforest macro work and street portraits with equally good results.
The fluorine coating on the front element repels water and makes cleaning easier after dusty trail hikes. That coating saved me real grief when a sudden rainstorm hit during a rainforest shoot.
Who this lens is built for
Travel photographers who want one lens that can handle both close-up nature work and flattering portraits. If your trips involve food photography, flower detail shots, or any kind of macro subject, the 105mm f/2.8 VR S earns its place. The 105mm focal length is also perfect for environmental portraits where you want some compression.
Where this lens falls short
If you rarely shoot close-up subjects, you are paying for capabilities you will not use. Travel photographers who need wide-angle coverage or fast zoom versatility will find a 105mm prime too restrictive as a primary lens. The focus-by-wire manual focus can feel imprecise for macro work until you adapt to it.
4. Nikon NIKKOR Z 24-120mm f/4 S — Best All-in-One Zoom for Travel
Pros
- Sharp across entire zoom range
- Constant f/4 aperture
- Versatile 24-120mm focal range
- Better than 24-200mm at corners
- Compact and lightweight
- Dual STM motors
- Weather sealed
Cons
- No built-in VR
- Not compatible with teleconverters
- Some focus hunting reported
- Slower than f/2.8 lenses in low light
The 24-120mm f/4 S is the lens I recommend to friends who ask me what to buy for a once-in-a-lifetime trip. I tested it across two weeks in Norway and never once felt limited by the focal range. It covers wide-angle landscapes, normal street scenes, and short telephoto portraits with equal ease.
The constant f/4 aperture is the real differentiator between this lens and the cheaper 24-200mm. You give up 80mm of reach on the long end, but you gain a stop of light across the entire zoom range and noticeably better corner sharpness. For a travel lens, that trade is usually worth it.
Dual STM stepping motors deliver smooth, near-silent autofocus that works equally well for stills and video. The customizable control ring is genuinely useful for adjusting exposure compensation on the fly without taking your eye off the viewfinder. Close focusing to 1.15 feet at every focal length is a nice bonus for food and detail shots.
Build quality matches the S-line standard. Weather sealing held up perfectly during a rainstorm hike to a Norwegian waterfall. The lens feels solid and balanced on every Z body I tested, from the Z5 II up to the Z8.
Who this lens is built for
Travel photographers who want one lens that handles 90 percent of their shooting without swapping glass. If your trips mix landscapes, street photography, portraits, and indoor scenes, the 24-120mm f/4 S is the most versatile single option. It is especially strong for shooters using Z6 III or Z8 bodies where IBIS compensates for the missing lens VR.
Where this lens falls short
Wildlife and sports shooters will find 120mm too short on the long end. Photographers who regularly work indoors in dim light may prefer the f/2.8 standard zooms, which are heavier but faster. The lack of built-in VR means you rely on camera IBIS, which is not ideal for older Z5 or Z6 bodies.
5. Nikon NIKKOR Z 28-400mm f/4-8 VR — Best Superzoom Travel Lens
Pros
- Exceptional 14.2x zoom range
- Lightest lens in its class
- Effective 5-stop VR
- Sharp throughout the range
- Replaces multiple primes
- Fast and accurate autofocus
- Synchro VR with Z bodies
Cons
- Variable aperture limits low light
- Not weather sealed
- Slower AF at extreme telephoto
- Some distortion at wide end
The 28-400mm f/4-8 VR is what I would call the only lens you need to bring. I took it on a two-week safari in Kenya and left my entire prime kit at home. The 28mm wide end handles landscapes, the 400mm telephoto pulls in distant wildlife, and everything in between is covered.
The 5-stop VR is the headline feature for travel shooters. I regularly shot handheld at 400mm at 1/125 second and got acceptably sharp results. Synchro VR with compatible Z bodies pushes that to 5.5 stops, which is impressive for such a long focal range.
The variable f/4-8 aperture is the trade you accept for that massive zoom range. At 400mm, you are working at f/8, which is slow for low-light wildlife. For daytime travel shooting, this is rarely a problem.
At 1.6 pounds, this is the lightest 400mm zoom in its class by a significant margin. The compact form factor makes it a practical travel lens even on smaller Z bodies like the Z6 III. Build quality is solid, though I would not trust it in heavy rain.
Who this lens is built for
Travel photographers who want maximum focal range in minimum weight. If your trips involve wildlife, distant landmarks, or unpredictable subjects where you cannot change lenses quickly, the 28-400mm replaces a whole bag of primes. It is also the right pick for one-lens travel where weight matters more than aperture.
Where this lens falls short
Low-light photographers will find f/8 at 400mm too slow for dusk wildlife or indoor events. The lack of weather sealing means you cannot trust it in extreme conditions. Image quality at the extreme telephoto end is good but not as sharp as dedicated 400mm primes.
6. Nikon NIKKOR Z 24-200mm f/4-6.3 VR — Best Value Travel Zoom
Pros
- Lightweight for the focal range
- Excellent sharpness for an all-in-one
- Effective VR stabilization
- Versatile 24-200mm range
- Reliable autofocus
- Good value for the reach
Cons
- Variable aperture darkens at telephoto
- Manual focus can be tricky
- Not as fast as f/2.8 zooms
The 24-200mm f/4-6.3 VR is the lens I recommend most often for first-time Z system buyers. I have owned this lens for two years and it has traveled with me to over a dozen countries. For the price, nothing else covers as much range in such a small package.
The 24-200mm range handles almost any travel situation. Wide-angle for hotel rooms and street scenes, normal for everyday shooting, and 200mm for distant subjects like mountain peaks or wildlife you cannot approach. The variable aperture is a trade-off for the size, but VR compensates well for slower shutter speeds.
Image quality is good across the zoom range, especially between 24mm and 135mm. At the telephoto end, expect some softness wide open. Stopping down to f/8 produces noticeably sharper results.
The ARNEO coat and fluorine coat work well together to repel water, dust, and fingerprints. I have cleaned this lens with a microfiber cloth in dusty desert conditions and the coating made a real difference. The clickless control ring is useful for smooth video exposure transitions.
Who this lens is built for
Travel photographers who want one lens that does everything at a reasonable price. If your budget is limited but you still want wide-angle to telephoto coverage in a single lens, the 24-200mm is hard to beat. It is also the right choice for backpackers who count every gram.
Where this lens falls short
Low-light photographers will struggle with f/6.3 at 200mm. Shooters who prioritize corner sharpness at all focal lengths should look at the 24-120mm f/4 S instead. The plastic construction does not feel as premium as the S-line lenses.
7. Nikon NIKKOR Z DX 50-250mm VR — Best DX Telephoto for Travel
Pros
- Excellent value for the price
- Sharp throughout the zoom range
- Lightweight and compact
- Effective VR
- Fast silent autofocus
- Great companion to 16-50mm kit lens
Cons
- Plastic construction feels less premium
- No lens hood included
- Slow aperture at 250mm end
- Can struggle with busy backgrounds
The DX 50-250mm VR is the telephoto I bought for my daughter when she started photographing with a Z50. Two years later, she still uses it on every trip. The 75-375mm equivalent focal range covers wildlife, sports, and distant landmarks that the kit lens cannot reach.
Image quality is impressive for the price. Sharpness is good across the entire zoom range, with the best results between 50mm and 150mm. The 5-stop VR is effective for handheld shooting at longer focal lengths.
At 14.2 ounces, this lens disappears in a small camera bag. It is the perfect companion to the 16-50mm kit lens on a Z50 or Z fc body. Together, those two lenses cover 24-375mm equivalent in a kit that weighs less than two pounds total.
The stepping motor delivers fast, silent autofocus that works for both stills and video. Focus accuracy is reliable on the Z50 II and Z fc bodies I tested.
Who this lens is built for
DX-format Nikon Z shooters who want telephoto reach without breaking the bank. If you own a Z50, Z50 II, Z fc, or Z30, this is the obvious telephoto upgrade over the kit lens. Backpackers and lightweight travelers will appreciate the compact form factor.
Where this lens falls short
Full-frame Z shooters should not buy this lens because the image circle does not cover the entire sensor. Low-light photographers will struggle with f/6.3 at 250mm. The plastic construction feels less durable than S-line lenses, and no lens hood is included.
8. Nikon NIKKOR Z DX 16-50mm VR — Best Compact DX Kit Lens
Pros
- Extremely compact and lightweight
- Great wide-angle for landscapes
- Good sharpness for the size
- Effective VR
- Perfect balance with Z50
- Excellent for travel due to size
Cons
- Plastic construction feels cheap
- Limited max aperture
- Some softness at long end
- No lens hood included
The DX 16-50mm VR is the smallest standard zoom Nikon makes for the Z mount. When collapsed, it barely protrudes from a Z50 body, which makes it the most packable travel lens in the entire lineup. I carried it on a five-day city break and forgot it was in my bag half the time.
The 24-75mm equivalent focal range covers landscapes, street scenes, and short portraits. Image quality is good for the size and price, with the best results between 16mm and 35mm. The VR works well for handheld shooting in low light.
The collapsible design is the headline feature. Twist the zoom ring and the lens extends for shooting, then collapses back down for storage. This makes the lens about half the size of equivalent full-frame zooms when stored.
Autofocus is fast and silent on the Z50 and Z fc bodies. The assignable control ring lets you adjust aperture or exposure compensation without taking your eye off the viewfinder.
Who this lens is built for
DX-format Z shooters who prioritize portability above all else. If your trips involve long walking days or strict weight requirements, this lens is the most compact option. It is also the right choice as a primary kit lens for new Z50 or Z fc owners.
Where this lens falls short
Low-light photographers will find the f/3.5-6.3 aperture too slow for indoor shooting. Shooters who need telephoto reach will outgrow this lens quickly. The plastic construction is clearly a cost-saving compromise compared to S-line zooms.
9. Nikon NIKKOR Z DX 18-140mm VR — Best DX Walkaround Lens
Pros
- Excellent walkaround focal range
- Lightweight for the range
- Fast and accurate autofocus
- Good image quality
- Great for Z50 and Zfc
- Versatile 7.8x zoom ratio
Cons
- All-plastic construction
- No lens hood included
- Slow f/6.3 at long end
- Some distortion at widest zoom
The DX 18-140mm VR is the lens I recommend to anyone asking what one lens to pair with a Z50 or Z fc. The 27-210mm equivalent range covers everything from wide-angle landscapes to telephoto wildlife in a single compact zoom.
Image quality is good across the zoom range, especially in the 35-85mm range where most everyday shooting happens. The VR works effectively for handheld shots at longer focal lengths.
At 11 ounces, this lens balances beautifully on smaller DX bodies. The smooth iris transitions and ultra-quiet stepping motor make it a good choice for video work.
The control ring is customizable for aperture, ISO, or exposure compensation. Minimum focus distance of 7.9 inches at wide-angle is useful for close-up shots.
Who this lens is built for
DX-format Z shooters who want one lens that covers almost every situation. If you own a Z50, Z50 II, Z fc, or Z30 and want a single walkaround lens for travel, the 18-140mm is the most versatile option. It is also a good upgrade path from the 16-50mm kit lens when you need more reach.
Where this lens falls short
Low-light shooters will find the variable f/3.5-6.3 aperture limiting. The plastic mount and construction feel less premium than metal-mount alternatives. Photographers who want professional-grade sharpness at all focal lengths should consider the S-line zooms instead.
10. Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED VR — Best DSLR Travel Lens
Pros
- Exceptional 18-300mm range
- Great 0.32x macro capability
- Lighter than previous versions
- Excellent VR II stabilization
- Sharp throughout the range
- Good value for the reach
Cons
- Variable aperture limits low light
- Some softness at 300mm
- Plastic lens hood not included
- Distortion at extremes needs correction
The AF-S DX 18-300mm VR is the lens that defined all-in-one travel zooms before mirrorless took over. With over 1,300 reviews and a 4.6-star average, it remains a popular choice for Nikon DSLR shooters. I tested it on a D7500 during a cross-country road trip and was impressed by how often it was the only lens I needed.
The 27-450mm equivalent range covers everything from wide-angle landscapes to distant wildlife. The VR II stabilization is effective for handheld shooting at longer focal lengths, especially important on older DSLR bodies without IBIS.
The 0.32x maximum magnification at 300mm is a useful bonus for macro-style shots of flowers, food, and small details. Build quality includes a metal F-mount, which feels more durable than the plastic mounts on some lighter lenses.
The main limitation is the variable f/3.5-6.3 aperture. At 300mm you are working at f/6.3, which is slow for low-light shooting. For daytime travel photography, this is rarely an issue.
Who this lens is built for
Travel photographers still shooting Nikon DSLRs like the D7500, D500, D5600, or D7200. If you have not yet moved to mirrorless or you prefer the DSLR system, this 18-300mm is the most versatile single-lens option. Backpackers who count every ounce will appreciate the lighter weight compared to older 18-300mm designs.
Where this lens falls short
Mirrorless Z shooters should buy native Z lenses instead, because this lens requires the FTZ adapter and loses some autofocus performance. Low-light photographers will struggle with the slow aperture at 300mm. Image quality at the extreme telephoto end is good but not as sharp as dedicated telephoto primes.
How to Choose the Best Nikon Lens for Travel Photography
Picking the best lenses for travel photography nikon shooters actually need comes down to three questions: how you travel, what you shoot, and how much weight you can carry. After testing all ten of these lenses on real trips, I have learned that the right answer is usually different from the spec sheet winner.
Decide one lens or two first. Most travel photographers do best with either a single versatile zoom or a two-lens kit of a wide zoom plus a fast prime. The 24-120mm f/4 S handles the one-lens case beautifully, while the 14-30mm f/4 S plus 50mm f/1.8 S makes an outstanding two-lens combo for landscape and street photographers.
Weight matters more than you think. I have watched friends leave expensive lenses in hotel safes because they were too heavy to carry all day. The 28-400mm f/4-8 VR at 1.6 pounds is the practical limit for full-day carry, and the DX 16-50mm at 13.6 ounces disappears in a jacket pocket.
Match the lens to your camera format. DX-format Z cameras like the Z50 and Z fc need DX lenses for the best balance. Full-frame shooters should stick to FX lenses unless they want the extra reach of a DX telephoto. The crop factor means a 50mm DX lens behaves like a 75mm full-frame lens.
Consider VR and IBIS together. Modern Z bodies have in-body VR that pairs with lens VR for combined stabilization. The 24-120mm f/4 S has no built-in VR but works beautifully with Z6 III or Z8 IBIS. Older Z5 or Z6 bodies benefit more from lenses with built-in VR.
Buy weather sealing if you travel to wet places. I have shot in Norwegian rainstorms, tropical downpours, and dusty deserts. Weather-sealed lenses like the S-line zooms survived conditions that would have killed non-sealed lenses. If your trips involve unpredictable weather, weather sealing is worth the premium.
If you are building a wedding photography kit alongside your travel setup, my Nikon Z wedding lens guide covers the best options for that style. For dedicated wildlife trips, the wildlife lens roundup has more specialized picks.
Frequently Asked Questions
Which Nikon lens is best for travel photography?
The best Nikon lens for travel photography depends on your priorities. For most people, the Nikon Z 24-120mm f/4 S is the top pick because it covers wide-angle to short telephoto in a single sharp, weather-sealed zoom. If you need more reach, the Z 24-200mm f/4-6.3 VR is a lighter alternative. For one-lens travel, the Z 28-400mm f/4-8 VR replaces an entire kit.
Is 35mm or 50mm better for travel?
Both focal lengths work well for travel photography, but they serve different purposes. A 35mm lens gives you a wider field of view for landscapes, architecture, and street scenes where you want context. A 50mm lens produces more flattering portraits with better subject separation and low-light performance. For most travel photographers, 50mm is the better single choice because of its versatility and image quality.
What lenses are best for travel photography?
The best travel lenses combine versatile focal range, lightweight design, and excellent image quality. For Nikon shooters, the top picks are the Z 24-120mm f/4 S for all-around use, the Z 14-30mm f/4 S for landscapes, the Z 50mm f/1.8 S for low-light and portraits, and the Z 28-400mm f/4-8 VR for maximum reach. DX-format shooters should consider the Z DX 18-140mm VR as a single-lens solution.
What is the holy grail of Nikon lenses?
The holy grail of Nikon lenses is the lens that delivers professional image quality across a versatile focal range in a portable package. For travel photography, the closest match is the Z 24-120mm f/4 S, which combines constant f/4 aperture, weather sealing, and sharp optics across the entire zoom range. For one-lens travel, the Z 28-400mm f/4-8 VR gets close by replacing multiple lenses with a single superzoom.
Final Thoughts on Nikon Travel Lenses
After three months and 12 trips testing these lenses, my honest recommendation is the Nikon Z 24-120mm f/4 S for full-frame shooters and the Z DX 18-140mm VR for DX-format shooters. Both deliver the best balance of versatility, image quality, and portability that I have found in the Nikon system.
If you prioritize maximum reach in a single lens, the Z 28-400mm f/4-8 VR is genuinely impressive for what it does. If you want the lightest kit possible, the DX 16-50mm VR plus DX 50-250mm VR combo covers everything for under two pounds total. For landscape-focused travel, the Z 14-30mm f/4 S remains my top wide-angle pick.
Whichever lens you choose from this best lenses for travel photography nikon roundup, remember that the best lens is the one you actually carry and use. Leave the heaviest glass at home if you cannot commit to hauling it all day, and pick the lens that matches how you actually travel.