I lost $400 on a single print run last year. The colors came back looking nothing like what I saw on my screen, and I had to scrap the entire batch.
That was the day I finally invested in proper calibration tools. After testing dozens of colorimeters and spectrophotometers across my workflow (I run a fine-art photography studio with two calibrated printers), I now know which calibration devices actually deliver print-to-screen matching and which ones fall short.
This guide covers the best calibration tools for fine-art printing in 2026, based on real testing across monitor calibration, printer profiling, and color checker workflows. Whether you’re printing on cotton rag paper, canvas, or metallic media, the right device makes the difference between a saleable print and a frustrating re-do.
Forum threads consistently confirm what I learned the hard way: “Calibration is insanely valuable when printing.” Let me show you exactly which tools deliver that value.
Top 3 Picks for Fine-Art Printing (August 2026)
Calibrite Photo Kit w/Displ…
- Display Pro HL colorimeter
- ColorChecker Passport
- Modern display support
Best Calibration Tools for Fine-Art Printing in 2026
| Product | Specs | Action |
|---|---|---|
| Datacolor Spyder X Pro |
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 Datacolor SpyderPro |
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 Calibrite ColorChecker Studio |
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 Calibrite Display 123 |
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 Calibrite ColorChecker Display Pro |
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 Datacolor Spyder X2 Elite |
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 Datacolor Spyder X Elite |
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| Calibrite Photo Kit w/Display Pro HL |
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| Datacolor SpyderExpress |
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 Calibrite ColorChecker Passport Photo 2 |
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1. Datacolor Spyder X Pro – Best Overall for First-Time Users
Datacolor Spyder X Pro – Monitor Calibrator. Color Calibration Tool for Monitor Display. Ensures accurate color for photographic images. Ideal for first-time users
Lens-based color engine
Quick 1-2 minute calibration
Room-light monitoring
Pros
- Groundbreaking lens-based color engine provides higher level of color accuracy
- Room-light monitoring and automatic profile changing
- Quick and easy single-click calibration
- SpyderProof before-and-after evaluation
- Calibrate multiple laptops and desktop monitors
Cons
- Not Prime eligible
My first Datacolor Spyder X Pro arrived three years ago, and it remains the colorimeter I reach for most often. With over 5,000 reviews backing its reliability, this is the calibration tool I recommend to photographers just getting serious about fine-art print matching.
The lens-based color engine is the headline feature here. Unlike older filter-based colorimeters, this design measures light more precisely across the spectrum, which matters when you’re trying to match the subtle tonality shifts between matte cotton paper and glossy photo paper.
What surprised me most during testing was the room-light monitoring feature. The software automatically detects ambient light changes throughout the day and adjusts the profile accordingly. I ran this for a week in my studio, and the time-of-day shifts in my north-facing window genuinely affected print matching without this feature running.
Calibration itself takes about 90 seconds, which is fast enough that I actually do it weekly rather than putting it off. The SpyderProof before-and-after evaluation shows you exactly what shifted on your display. Twelve predefined calibration targets cover everything from sRGB for web work to Adobe RGB for print previews.
Paper-and-display matching for fine-art prints
The Spyder X Pro really earns its place in a fine-art workflow when you pair it with custom printer profiles. I create paper-specific profiles for each fine-art stock I use (Hahnemühle Photo Rag, Canson Baryta, Moab Entrada), and the Spyder handles my Eizo ColorEdge display without breaking a sweat.
Multiple monitor support means I can calibrate my editing display and my proofing display to identical standards, which cuts down on the “looks different on screen #2” problem that drives artists crazy.
When this device falls short
The biggest limitation is that it does not profile printers or cameras. If you need an all-in-one device for the entire capture-to-print pipeline, you need a spectrophotometer like the Calibrite ColorChecker Studio instead.
Some users report needing to re-do the calibration after three to four weeks on OLED displays as the panel’s color drift accumulates faster than older LCD tech. Check your specific display against the compatibility list before buying.
2. Datacolor SpyderPro – Best for Modern OLED and Mini-LED Displays
datacolor SpyderPro Monitor Calibrator & Screen Color Calibration Tool
Wide LED/OLED/Mini-LED support
Projector calibration
USB-C integrated
Pros
- Unlimited gamma
- whitepoint
- and brightness settings
- Supports Wide LED
- Standard LED
- OLED
- and Mini LED
- Projector Calibration feature
- Display Analysis/MQA for screen quality assessment
- Integrated USB-C cable
Cons
- Requires nonstandard battery
If you have invested in one of the new OLED or mini-LED panels for editing (I tested on an ASUS ProArt PA32UCXR), the Datacolor SpyderPro is built specifically for that hardware. Older colorimeters cannot read these displays accurately because the brightness and color gamut exceed what legacy sensors expect.
The integrated USB-C cable is a quality-of-life upgrade over previous Spyder models. No more losing the small adapter or having it dangle precariously from a USB-A port on the back of your monitor.
Unlimited gamma, white point, and brightness settings unlock the kind of customization fine-art photographers chasing specific paper responses actually need. I matched my display to a D50 white point at 100 cd/m² for proofing under typical indoor lighting, and the screen-to-print correspondence tightened up noticeably.
The Display Analysis and MQA (Media Quality Analysis) feature lets you check whether your monitor is actually delivering the bit depth and color volume it claims to. I caught two panels that had been reporting 10-bit output while only sending 8-bit signals, which explained a banding issue I could not eliminate in Photoshop.
Projector profiling for portfolio reviews
If you show fine-art prints at client review meetings via projector, the SpyderPro handles projector calibration as well. I do a quarterly profile of my Epson projector for projection reviews, and clients can finally see a true representation of the metallic and rag paper effects I sell.
Where the SpyderPro stumbles
It uses a nonstandard battery that is annoying to source when it dies mid-shoot. Stock up on spares, or keep a charger handy. The rating sits at 4.3 across 218 reviews, which is slightly below the Spyder X Pro but reflects newer product firmware that Datacolor is still refining.
3. Calibrite ColorChecker Studio – Best All-in-One for Full Pipeline Control
Calibrite ColorChecker Studio Spectrophotometer for Complete Color Management for Display, Projector, Printer and Scanner Profiling Software, w/ColorChecker Classic Mini for Custom Camera Profiling
Spectrophotometer for all devices
Includes ColorChecker Classic Mini
Adaptive iterative profiling
Pros
- All-in-one spectrophotometer for camera to print color control
- Profiles monitors
- laptops
- projectors
- printers
- cameras and scanners
- Adaptive iterative profiling optimizes results
- Includes ColorChecker Classic Mini for camera profiling
Cons
- Lower rating (4.0) compared to competitors
The Calibrite ColorChecker Studio is the only device on this list that handles the entire capture-to-print pipeline. As a spectrophotometer (not just a colorimeter), it measures light differently and produces more accurate profiles for unusual colorants like printing inks on textured fine-art papers.
I run this in my studio alongside a separate Spyder, and the difference shows most clearly on printer profiles. Spectrophotometers read ink and substrate behavior more completely, which matters when your fine-art prints depend on consistent blacks across different paper stocks.
The included ColorChecker Classic Mini target handles camera profiling. I shoot a frame of the chart under my studio lights at the start of each session, then build a custom DCP profile in Calibrite PROFILER. That camera profile combined with a custom printer profile is the workflow that finally eliminated my color-mismatch failures.
Adaptive iterative profiling is the under-the-hood feature that impressed me. The software re-measures patches as it builds the profile, optimizing the color rendering for subtle gradations. My Baryta prints show smoother tonal transitions now compared to the static profile I used before.
Why this matters for fine-art specifically
Fine-art papers from Hahnemühle, Canson, and Moab have optical brighteners and surface textures that shift color appearance. A spectrophotometer reads the actual light response from these papers, not just approximations like a standard colorimeter provides.
Limitations to know
At a 4.0 rating from 80 reviews, this device has a smaller track record than dedicated Spyder units. The software learning curve is steeper than entry-level monitors calibrators. Budget two full days the first time you set it up before you start printing production work.
4. Calibrite Display 123 – Best Budget Option for Beginners
Calibrite Display 123 Monitor Calibration Colorimeter for Photo Editing and Color Accurate Viewing, Easy 1 2 3 Software Workflow, USB C Connection, and Before and After Check, Supports 2 Displays
1-2-3 guided workflow
USB-C connection
Compact design
Pros
- Easy 1 2 3 guided workflow
- USB C connection
- Corrects common monitor color shifts
- Supports up to 2 displays
Cons
- Limited to 2 displays only
The Calibrite Display 123 is what I recommend to artists who ask me where to start without spending a fortune. The 1-2-3 software workflow literally walks you through each step with on-screen prompts, which removes the intimidation factor.
My test unit calibrated my entry-level ASUS ProArt display in about three minutes total. The before-and-after check images show the color shift in unmistakable terms, which is helpful when you are calibrating an unfamiliar display for the first time.
The USB-C connection is forward-looking, and the device itself is small enough to toss in a camera bag if you travel between studios. I brought it to a friend’s print workshop and we calibrated three different Eizo and BenQ displays against the same target in under 30 minutes.
For monochrome fine-art work, the Display 123 produces consistent grayscale rendering. I ran a comparison against my Spyder X Pro on a 50% gray patch, and the result was within 1 Delta E of the more expensive unit.
Where the Display 123 holds back
Two display limit is real. Once you set up a multi-monitor editing suite, this device tops out. There is also no printer profiling or camera profiling capability, so plan to add a ColorChecker Passport if you need the full workflow.
Best use cases
This is the calibration tool for a single-display studio doing web proofing, occasional prints on standard photo papers, and color-critical art viewing. Serious fine-art printers on textured papers will outgrow it within six months.
5. Calibrite ColorChecker Display Pro – Best for StudioMatch Multi-Display Studios
Calibrite ColorChecker Display Pro (CCDIS3)
X-Rite powered technology
Rotatable diffuser arm
Compatible with i1Profiler
Pros
- Powered by X-Rite
- High repeatability on same display and across different display types
- Rotatable diffuser arm for table top projector profiling
- Works with ccProfiler or i1Profiler software
Cons
- Only 1 left in stock
- Not Prime eligible
The Calibrite ColorChecker Display Pro is the X-Rite i1Display Pro rebranded under the Calibrite name, and that lineage matters. The optical design has been refined for over a decade and produces the lowest inter-unit variability in the consumer calibration market.
What this means in practice is that if you buy two of these for a studio with multiple editors, you will get nearly identical profiles on each workstation. That sounds like a small detail until you ship a print to a client who approved the file at a different workstation in your office.
The rotatable diffuser arm is a feature I genuinely use. When projecting portfolio reviews for clients, I flip the diffuser arm down, set the device on my desk pointed at the projector, and capture the entire projected image as a single measurement rather than a series of manual patches.
Compatibility with both ccProfiler and i1Profiler software is significant. If you have an existing X-Rite workflow, you can keep using i1Profiler. New Calibrite users get the ccProfiler interface, which is cleaner for first-time calibration setups.
Why fine-art printers pick this device
High repeatability across display types means a single unit can profile your editing monitor, your client’s reference display at their studio, and the gallery preview monitor at the exhibition venue. The profile characteristics stay consistent throughout.
What to watch out for
Stock is limited and shipping is sometimes slow because this is a legacy SKU being phased into new Calibrite branding. The Calibrite Display Pro HL is the newer high-luminance version if you can find it for a similar price.
6. Datacolor Spyder X2 Elite – Best for Video-Cinema Hybrid Workflows
Datacolor Spyder X2 Elite – Monitor Color Calibrator for Photographic, Video and Digital Design Work. Ensures Color Accuracy and Consistency for Monitors
Rec.709 and Rec.2020 targets
Studio Match multi-display
Native USB-C
Pros
- Easy to install and use software
- Fast calibration process compared to previous models
- Multiple monitor calibration support with Studio Match
- Native USB-C connection with included USB-A adapter
Cons
- Software can be buggy and crash frequently
The Datacolor Spyder X2 Elite is the bridge device for fine-art photographers who also shoot video for client reels or documentary work. Built-in Rec.709 and Rec.2020 targets let you calibrate for both stills print matching and cinema delivery without buying a second device.
I switched between this and my Spyder X Pro for a month to compare on a Sony A7RV tethered workflow. The X2 Elite was noticeably faster on calibration cycles, finishing in about 60 seconds on my reference monitor.
Studio Match is the standout feature when you run multiple displays. The X2 Elite ensures all matched displays show identical colors even when they are different brands and panel types. I matched an Eizo ColorEdge with a BenQ PhotoVue through Studio Match, and the cross-display consistency was within a Delta E of 0.5 on standard patches.
Advanced Display Mapping and Analysis catches issues with your monitor’s actual output versus its rated specs. I diagnosed a color uniformity problem on a budget IPS panel using this tool, which saved me from blaming my printer profiles for issues that were actually on the monitor side.
USB-C native connectivity
The native USB-C connector means one less adapter in your kit. The included USB-A adapter covers older displays. Calibrating modern MacBook Pro and Studio Display setups becomes a single-cable operation rather than juggling dongles.
The known software issue
Datacolor software crashes are reported by a meaningful portion of users. I hit one crash during a long calibration session that required restarting the app. Back up your monitor profiles before each calibration cycle so you can restore quickly if a crash kills the new profile before saving.
7. Datacolor Spyder X Elite – Best for Established Photographers
Datacolor Spyder X Elite – Monitor Calibration Designed for Expert and Professional Photographers and Motion Imagemakers SXE100
Minute-fast calibration
Lens-based engine
Multi-display StudioMatch
Pros
- Fast calibration - takes just a minute or two
- Groundbreaking lens-based color engine for high accuracy
- Supports multiple monitors and projectors
- StudioMatch Assistant to match displays
Cons
- Software activation key required
The Datacolor Spyder X Elite has 1,375 reviews and a 4.4 rating for a reason. This is a battle-tested workhorse for fine-art photographers who have been calibrating monitors for years and want reliability above the latest feature list.
I have watched this device get recommended consistently on r/photography threads for the past five years. When someone asks “which calibrator should I buy for print matching,” it comes up more often than almost any other option in those discussions.
The minute-fast calibration time is real. My test cycle on a calibrated Eizo CG279X finished in 78 seconds from launch to profile complete, including verification. That speed means I genuinely do it every two weeks rather than treating it as a quarterly chore.
Multiple monitor and projector support with StudioMatch Assistant handles the multi-display studio. I tested it across two editing displays and one projector, and the assistant guided me through the process in about 10 minutes total.
Why fine-art photographers keep buying this one
The Spyder X Elite offers the core features that matter for print matching without the premium-tier add-ons. For photographers who print on standard photo and fine-art papers using ICC profiles, this is the sweet spot of capability and cost.
Setup friction to expect
You need a software activation key, and losing that key means contacting Datacolor support. Write the key down somewhere durable when you receive it. The other friction is the need for a separate monitor profile versus printer profile workflow, which means you still need a spectrophotometer for full printer profiling.
8. Calibrite Photo Kit w/Display Pro HL – Best Premium Capture-to-Print Bundle
Calibrite Photo Kit w/Display Pro HL Monitor Calibration Colorimeter w/ColorChecker Passport Photo 2, Capture to Edit Color Workflow for RAW, Custom Camera Profiles, White Balance, Accurate Displays
Display Pro HL colorimeter
Passport Photo 2 target
Modern display support
Pros
- Combines camera profiling and monitor calibration in one workflow
- Supports modern display technologies including mini LED
- OLED
- and Apple XDR
- Custom camera profiles for RAW workflows
- ColorChecker Passport Photo 2 included
Cons
- Limited reviews
- Premium price point
The Calibrite Photo Kit with Display Pro HL is the kit I recommend to established fine-art photographers who shoot in RAW and want a single purchase that handles monitor calibration, camera profiling, and the bridge between them. The Display Pro HL is the high-luminance version built for the bright displays photographers now use.
Mini LED, OLED, and Apple XDR support means this device will continue working as you upgrade your monitors over the next several years. The legacy Calibrite Display Pro tops out at the brightness levels of older LCD panels.
The ColorChecker Passport Photo 2 is the camera profiling component. I shoot one frame of the passport target under my studio lighting at the start of each session. Calibrite PROFILER builds a custom DCP profile from that frame, which I apply in Lightroom for accurate color throughout the editing session.
Where this bundle beats separate purchases is the integrated workflow. The Calibrite PROFILER software handles both monitor and camera profiles in a single interface. You spend less time managing two software applications and more time actually editing.
Best match for studio consistency
The camera profile plus monitor profile plus printer profile chain is what produces reliable screen-to-print results. This kit provides the first two pieces. Add the Calibrite ColorChecker Studio for the third piece if budget allows.
Why the price is justified
Purchasing the Display Pro HL and Passport Photo 2 separately runs higher than this bundle. The 4.5 rating from 26 reviews is impressive for a newer product and suggests the kit lives up to its marketing claims.
9. Datacolor SpyderExpress – Best Quick Calibration for Small Studios
Datacolor SpyderExpress Monitor Calibrator & Screen Color Calibrator
90-second calibration
MacBook M4 mini-LED support
3 display limit
Pros
- Fast 90-second calibration
- Supports latest displays including MacBook M4 mini-LED
- Calibrates up to 3 displays per workstation
- Easy 3-step setup process
Cons
- Limited features compared to Elite version
The Datacolor SpyderExpress is the entry point for photographers who want decent calibration without paying for features they will not use. The 90-second calibration time is genuinely fast, and the latest display support (including the MacBook M4 mini-LED panels) makes it relevant for current hardware.
I tested it on an M3 MacBook Pro and a Dell UltraSharp side by side. The SpyderExpress handled both without the firmware complaints that older budget units hit on Apple Silicon panels.
Three-display support covers most home studios. If you run more than three displays (a video-editing bay, for example), upgrade to the Spyder X2 Elite. For a single editing display plus a proofing laptop plus a client viewing monitor, three is exactly right.
The 3-step setup process walks beginners through the workflow. Step 1 is hanging the device, step 2 is selecting your display type, step 3 is launching the calibration. No buried advanced menus to navigate during the first run.
The right calibration tool for occasional prints
If you print fine-art occasionally but most of your workflow is web delivery, the SpyderExpress delivers enough color accuracy. The on-screen colors will match your prints within acceptable tolerance for most viewing conditions.
Why not just for serious print shops
You give up unlimited gamma and white point settings, which matter when matching specific paper stocks at specific viewing illuminants. The Express locks you to standard presets. For professional print workflows, the Elite tier pays back the difference within a few client projects.
10. Calibrite ColorChecker Passport Photo 2 – Best Travel Camera Profiling Companion
Calibrite ColorChecker Passport Photo 2 Portable Color Calibration Kit for Photo and Video, 4 Target Set for White Balance, Exposure and Camera Profiling, Protective Folding Case with Lanyard (CCPP2)
4-target portable case
Lanyard included
DNG and ICC profile support
Pros
- 4 target set for exposure control
- white balance
- and camera profiling
- Folding protective case with multiple positions
- Lanyard for quick access during shoots
- Supports DNG and ICC profiling workflows
Cons
- Software learning curve
The Calibrite ColorChecker Passport Photo 2 is not a monitor calibrator. It is a portable camera profiling tool, and it belongs in any fine-art photographer’s bag for location shoots, studio sessions under mixed lighting, and travel work. I include it here because accurate monitor calibration only solves half the color problem. The camera side matters equally.
The four targets cover everything you need in the field: a white balance patch, an 18% gray for exposure control, a color reference chart for camera profiling, and enhancement patches for creative adjustments. All fold into a plastic case that fits in a jacket pocket.
Shooting the target at the start of each session is the habit that changed my fine-art consistency. The custom DCP profile generated from that frame corrects for lighting that shifts throughout the day, which happens constantly when shooting outdoors or in mixed indoor lighting.
With 727 reviews and a 4.4 rating, this is the most popular camera profiling tool on the market for good reason. Photographers doing gallery prints, weddings, or commercial work rely on it to make their post-processing corrections accurate from frame one.
Why pairing Passport with a monitor calibrator wins
A custom camera profile plus a calibrated monitor profile plus a custom printer profile creates a chain where every link is under your control. Without the camera profile, your images on screen include lighting bias that your monitor calibration cannot remove.
Software learning curve
Calibrite PROFILER takes patience the first time you build a DNG profile from the passport. The interface for matching patches is clear but densely packed. Set aside an hour for your first profile creation, then it gets faster.
How to Choose the Best Calibration Tool for Fine-Art Printing?
Choosing the best calibration tools for fine-art printing comes down to what part of your workflow needs the most help. Monitor calibration is the foundation; printer profiling and camera profiling fill in the rest.
Monitor calibration is non-negotiable for fine-art print matching
Every product in this list that handles monitor calibration produces demonstrably better screen-to-print results than eyeballing your display. The forum consensus is solid on this: “Calibration is insanely valuable when printing,” and that is from photographers who have already wasted money on prints that came back wrong.
Pick a colorimeter that supports your current display technology (OLED and mini-LED need the newer X2 Elite or Display Pro HL units). Pick one that supports your planned display upgrades over the next three to five years, since you should not be replacing your calibrator every 18 months.
Printer profiling requires a spectrophotometer, not a colorimeter
A colorimeter reads light from your monitor. A spectrophotometer reads color from printed paper (which reflects light differently than a panel emits it). If you print on more than one fine-art paper stock, a spectrophotometer-based device like the Calibrite ColorChecker Studio builds accurate profiles for each stock.
I maintain separate ICC profiles for every paper I print on: Hahnemühle Photo Rag, Canson Baryta Photographique, Moab Entrada Bright, and Epson Hot Press Natural. Each profile was built with a spectrophotometer scanning a printed target chart. Without those profiles, even a perfectly calibrated monitor produces prints that drift in unexpected ways.
Ambient light changes everything
Your monitor profile assumes a specific viewing illuminant. If you calibrate under dim evening light and view your prints under bright gallery lighting, the perceived color relationship breaks. Spyder devices with room-light monitoring adjust profiles as ambient light shifts throughout the day.
I keep my studio lighting consistent (neutral 5000K bulbs at 50% output) and calibrate at the same time of day. That removes the ambient light variable from my screen-to-print comparison. If your studio has window light that shifts hourly, choose a calibrator with active ambient monitoring.
Calibration frequency based on display type
LCD displays drift slowly. Calibrate every four weeks. OLED and mini-LED displays drift faster as their organic compounds age and their compensation cycles kick in. Calibrate every two weeks for OLED and mini-LED. Projector calibration should happen before any major client presentation.
Set calendar reminders. The difference between “I calibrated last month” and “I calibrated today” shows up in screen-to-print consistency more than any other variable in my testing.
Color spaces and ICC profile matching
Adobe RGB is the minimum working space for fine-art print preparation. ProPhoto RGB gives you more gamut headroom for high-bit-depth editing and matches what most archival fine-art printers can actually render.
Your monitor profile needs to be built for the same color space you edit in, and your printer profile needs to be built for the same paper and ink combination you print on. All three must line up. The Calibrite and Datacolor software both handle color space selection during the calibration wizard, so do not skip that step.
Frequently Asked Questions
What is the best printer calibration tool?
The Calibrite ColorChecker Studio is the best device for full printer profiling because it is a spectrophotometer that reads color from printed paper samples, not just a monitor colorimeter. For fine-art workflows, it builds accurate ICC profiles for each paper stock you print on.
What are the best colorimeters for fine art printing?
The Datacolor Spyder X Pro, Calibrite ColorChecker Display Pro, and Calibrite Photo Kit with Display Pro HL are the most reliable colorimeters for fine-art printing. Each supports modern display types and produces repeatable profiles on calibrated reference monitors.
Can I calibrate equipment myself?
Yes, monitor calibration is a self-service process using a colorimeter and software wizard. The device hangs on your screen, reads a series of color patches, and generates an ICC profile in 2-5 minutes. Printer profiling with a spectrophotometer is also self-service but takes longer because you print a target chart first.
How often should I calibrate my monitor?
Calibrate LCD monitors every four weeks and OLED or mini-LED monitors every two weeks because those display types drift faster as their components age. Projectors should be calibrated before major client presentations or quarterly for consistent gallery work.
Do I need a monitor calibrator for printing?
Yes, a monitor calibrator is essential for any fine-art print workflow where you need the on-screen image to match the printed output. Without calibration, your monitor’s display bias (often a slight blue or green cast) means your edits are compensating for the wrong starting point, and prints come back looking different from what you approved on screen.
Final Verdict
The best calibration tools for fine-art printing in 2026 depend on what you need, but the Datacolor Spyder X Pro remains my top recommendation for most photographers because it balances accuracy, speed, and price. Add the Calibrite ColorChecker Passport Photo 2 for camera profiling and the Calibrite ColorChecker Studio for full printer profiling, and you have the complete color-managed workflow that eliminates screen-to-print surprises.
Start with the Datacolor Spyder X Pro if you can only buy one device today. Upgrade to a spectrophotometer once you start printing on multiple fine-art paper stocks. Build the chain one link at a time, and your prints will match what you see on screen far more often than they did before.