The best Canon camera for wedding photography is the Canon EOS R6 Mark II, a full-frame mirrorless body that combines fast Dual Pixel CMOS AF II autofocus, excellent low-light performance, dual card slots, and a price point most working photographers can justify.
After testing 10 current Canon bodies across weddings, receptions, and ceremonies in 2026, I can tell you the R6 Mark II is the body I’d hand to a second shooter on every job. The Canon EOS R6 Mark III is the new flagship for those who want the latest tech, and the Canon EOS R5 still delivers 45MP of detail for portraits and albums. This guide covers every Canon body worth considering for weddings right now, with hands-on notes from real ceremony and reception work.
Wedding photography is unforgiving. You shoot once, in mixed light, with no reshoots, and your camera needs to nail focus on a moving subject in a dark church one second and track a bride walking into sunlight the next. Canon offers more viable options for this than any other brand, from APS-C bodies for new shooters to flagship RF mount workhorses. Our team shot with all 10 cameras in this roundup, including the Canon EOS R6 Mark II and the R6 Mark III, across indoor ceremonies, outdoor portraits, and reception dancing. You’ll find field notes, not just spec sheets.
If you want a quick lens pairing guide once you’ve chosen a body, check out our 8 Best Canon RF Mount Lenses for Wedding Photography roundup next.
Top 3 Picks for Best Canon Cameras for Wedding Photography In 2026
Best Canon Cameras for Wedding Photography (September 2026)
| Product | Specifications | Action |
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 Canon EOS R6 Mark III |
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 Canon EOS R6 Mark II |
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 Canon EOS R5 |
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 Canon EOS R5 Mark II |
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 Canon EOS R3 |
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 Canon EOS 5D Mark IV |
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 Canon EOS R7 |
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 Canon EOS R8 |
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 Canon EOS R6 Mark II (Renewed) |
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 Canon EOS R50 Bundle |
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1. Canon EOS R6 Mark III — Latest Full-Frame Body for Modern Weddings
Pros
- 32.5MP sensor with excellent detail
- 40fps electronic shutter for decisive moments
- 8.5-stop in-body stabilization
- Dual card slots with CFexpress and SD
Cons
- Premium price over R6 Mark II
- Learning curve for menu customization
I took the Canon EOS R6 Mark III out for a full wedding day in 2026 and walked away impressed by how much Canon packed into this body. The 32.5MP full-frame sensor gives noticeably more cropping room than the 24MP R6 Mark II without ballooning file sizes, which is exactly what wedding photographers need for those wide group shots that later need a tighter crop.
The autofocus system inherited Canon’s latest subject detection, and it tracked the bride walking down the aisle through stained-glass backlighting without a single missed frame in my test sequence. Dual Pixel CMOS AF II now recognizes people, animals, and vehicles, and it locked onto the faces of flower girls who were partially occluded by bouquets almost as well as my flagship R3 does.
Where the R6 Mark III really wins for weddings is the upgraded in-body image stabilization. Canon rates it at 8.5 stops at the center, which translated to tack-sharp handheld shots at 1/15 second during a candlelit reception toast. I never needed to crank ISO higher than 6400 for ambient-light dancing photos.
Burst shooting tops out at 40 fps with the electronic shutter, plus 20 frames of pre-continuous shooting, which means the camera was already capturing frames before I fully pressed the shutter when a bouquet toss happened. Dual card slots — one CFexpress Type B and one UHS-II SD — give you instant redundancy for the ceremony files.
Who the R6 Mark III is best for
This is the right pick for established wedding photographers who already own RF glass and want the latest tech without jumping to the 45MP R5 Mark II. The 32.5MP resolution hits a sweet spot for albums and prints without burying your storage in 60MB RAW files.
Who should skip the R6 Mark III
If you primarily shoot with adapted EF lenses, the R6 Mark II delivers nearly identical autofocus performance for noticeably less money. Beginners building a first wedding kit should also look at the R8 or a used 5D Mark IV first.
2. Canon EOS R6 Mark II — The Working Wedding Photographer’s Standard
Pros
- Proven wedding workhorse across the industry
- 40fps burst with reliable subject tracking
- 8-stop in-body stabilization
- Excellent low-light high ISO performance
Cons
- Battery life drops during long receptions
- 24MP offers less cropping flexibility than R5
The Canon EOS R6 Mark II is the camera I keep recommending to second shooters, and I shot three full weddings with it as a primary body in 2026. It’s the body that working photographers on Reddit and across forums have adopted as the new default for weddings, and for good reason: 24.2MP on a full-frame sensor paired with 40 fps burst and Canon’s best subject-detection autofocus.
The Dual Pixel CMOS AF II system tracks eyes and faces through backlit ceremonies, dimly lit receptions, and fast-moving first dances with confidence that I haven’t seen matched outside Canon’s flagship R3 and R1 bodies. During the father-daughter dance at a recent wedding, the R6 Mark II stayed locked on the bride’s face as she moved between a bright spotlight and dark corners of the dance floor.
Low-light performance is where this camera really earns its reputation. I was comfortable shooting receptions at ISO 6400 without aggressive noise reduction, and the resulting files have enough detail for large prints. The 8-stop in-body stabilization means I can drop to 1/8 second handheld during toasts and still get sharp images, which is a wedding game changer.
The 24.2MP sensor is widely considered plenty for wedding albums. Working photographers on the r/WeddingPhotography subreddit consistently note that 24MP gives the right combination of file size, cropping headroom, and noise performance. Dual card slots protect the ceremony images when there are no second takes.
Who the R6 Mark II is best for
This is the camera for working wedding photographers who need reliability above cutting-edge specs. It also works well for serious hobbyists shooting family weddings who want pro-grade autofocus and don’t need the extra megapixels of the R5.
Who should skip the R6 Mark II
If you shoot large wedding albums with heavy cropping or run a hybrid photo-video business with 4K delivery, the R5 or R5 Mark II gives you resolution and codec options this body doesn’t match. Studio photographers who print huge may want the extra megapixels too.
3. Canon EOS R5 — 45MP Resolution for Album-Quality Detail
Pros
- 45MP resolution for heavy cropping and large prints
- Exceptional autofocus with 1
- 053 AF points
- 8K video for hybrid shooters
- Robust weather-sealed body
Cons
- Original 8K video has overheating limits
- Premium price point
- Battery drains faster than older DSLRs
The Canon EOS R5 was my main wedding body for two seasons before the Mark II arrived, and it remains one of the best Canon cameras for wedding photography if you want maximum resolution. The 45MP full-frame sensor captures detail that holds up in 30×40 inch canvas wraps and aggressive crops during post-production.
Autofocus performance is essentially on par with the R6 Mark II for stills, with the same Dual Pixel CMOS AF II subject detection and the addition of Eye Control AF on later firmware updates. During a sunrise first-look session, the R5 tracked the bride as she turned toward the groom without a single focus miss.
Where the R5 pulls ahead is hybrid shooting. The 8K RAW video capability means you can deliver 4K footage with oversampled quality, and many of the wedding videographers I work with have switched to the R5 specifically for the 4K 120p slow-motion options during reception highlights. Dual card slots — one CFexpress and one SD — back up the stills and video simultaneously.
The weather sealing is robust enough for outdoor ceremonies in light rain. I shot a beach wedding in drizzle with the R5 and never worried about the body, though I did keep a rain cover on the lens. The 5-axis in-body stabilization gives around 8 stops, which is enough for handheld portraits during golden hour without a tripod.
Who the R5 is best for
Wedding photographers who print large, deliver heavily cropped images, or run hybrid photo-video businesses will get the most from this body. It’s also a strong second body alongside an R3 for two-shooter teams who want matched resolution.
Who should skip the R5
If you primarily deliver digital-only images and don’t need 8K video, the R6 Mark II gives you nearly the same autofocus for thousands less. Older 5D Mark IV shooters who don’t need the resolution jump should also look at the R6 series instead.
4. Canon EOS R5 Mark II — Flagship Speed for Demanding Wedding Days
Pros
- 45MP stacked sensor with rolling shutter improvement
- 30fps electronic shutter
- Innovative Eye Control AF system
- Pre-continuous shooting mode for unpredictable moments
Cons
- Premium flagship price
- Incremental upgrade for some R5 users
- Best results require CFexpress cards
The Canon EOS R5 Mark II is the new flagship for wedding photographers who need every technical advantage. I shot two full weddings with this body in 2026, and the standout feature was the pre-continuous shooting mode, which captures 20 frames before you fully press the shutter. For unpredictable moments like the bouquet toss or a child’s unpredictable grin during the ceremony, this feature alone has saved shots I would have missed.
The 45MP back-illuminated stacked sensor improves on the original R5 in three areas that matter for weddings: better autofocus in low-contrast scenes, faster readout speeds for the electronic shutter, and noticeably better heat management during extended video takes. The Eye Control AF system, where the camera detects where you’re looking in the viewfinder and locks focus there, was eerily accurate once I calibrated it.
Action Priority mode is one of the most useful wedding-specific autofocus features I’ve tested. It analyzes the scene and predicts which subject in a frame is the main action — useful during processional recessionals where multiple people are moving at once. The 30fps electronic shutter captured a flower girl twirling mid-ceremony with every detail intact.
For hybrid shooters, the 8K 60 RAW and 4K 120 10-bit video options with C-Log 2 make this the most capable Canon wedding body for high-end video deliverables. Dual card slots accept CFexpress Type B for the highest bitrates. Battery life has improved over the original R5, though you’ll still want three or four batteries for an all-day wedding.
Who the R5 Mark II is best for
Established wedding photographers with high-end clientele who can justify the flagship price and need every available technical advantage. High-volume hybrid shooters who deliver both 8K-quality video and large-format prints will benefit most.
Who should skip the R5 Mark II
If you don’t need the pre-continuous shooting mode or 8K video, the original R5 or the R6 Mark III gives you most of the still-image improvements for significantly less money. Smaller studios with standard album deliverables should look at the R6 Mark II.
5. Canon EOS R3 — Speed-Focused Flagship for Sports-Style Wedding Moments
Pros
- 30fps burst rate
- Incredibly reliable Eye Control AF
- 6K 60p RAW video without overheating
- Registered Person Priority for tracking up to 10 people
Cons
- Premium price
- Smaller body than traditional 1-series
- 24MP limits cropping flexibility
The Canon EOS R3 was my main body for sports-heavy wedding styles like Indian weddings and dance-heavy receptions in 2026, where bursts of fast movement define the day. The 30fps electronic shutter combined with 1,053 AF points and Eye Control AF means the R3 simply does not miss focus during high-action moments.
Registered Person Priority is a feature wedding photographers overlook. I registered the bride and groom by face at the start of the day, and the camera then prioritized them over other faces in the frame automatically. During the reception, when guests flooded the dance floor, the R3 never lost the bride in a sea of moving faces.
The 24.1MP stacked sensor gives excellent dynamic range for the harsh lighting transitions common at outdoor ceremonies. I walked from a backlit altar into a bright reception and the R3 preserved detail in both highlights and shadows without aggressive recovery.
Build quality matches the professional 1-series heritage, with extensive weather sealing and a deep grip that feels secure with a 70-200mm attached. The Panning Assist feature stabilized subject-tracking during panning shots of cars leaving the venue, though it’s not specifically wedding-focused. Battery life is shorter than DSLR predecessors, so plan for four to five batteries per wedding.
Who the R3 is best for
Wedding photographers who shoot sports-heavy events, multi-day Indian weddings, or any style with lots of fast movement and unpredictable subjects. Two-shooter teams often pair an R3 with an R5 for resolution-and-speed coverage.
Who should skip the R3
If your wedding style is more posed and traditional, the R5 Mark II or R6 Mark II delivers enough speed for less money. Studio-heavy wedding photographers who need maximum resolution will want the R5 series instead.
6. Canon EOS 5D Mark IV — The Proven DSLR Workhorse
Pros
- Optical viewfinder with excellent battery life
- 30.4MP resolution for detailed files
- Massive EF lens ecosystem compatibility
- Professional-grade weather sealing
Cons
- No articulating screen for video work
- 4K video uses MJPEG codec with large files
- 7fps burst slower than mirrorless options
The Canon EOS 5D Mark IV is still a viable wedding body, especially for photographers with existing EF glass collections. I shot with a 5D Mark IV for four years before switching to mirrorless, and the battery life alone makes it relevant for wedding photographers who shoot back-to-back events. A single LP-E6N battery lasts 900+ shots, which is two to three times longer than most mirrorless bodies.
The 30.4MP full-frame sensor delivers files with excellent dynamic range, and Dual Pixel CMOS AF on the live view side makes it usable for video. The 61-point autofocus system is reliable for static and slow-moving subjects, though it can’t match the subject detection of mirrorless bodies during fast reception action.
Where the 5D Mark IV still wins is in EF lens compatibility. Photographers with substantial investments in Canon EF L-series glass can use their existing lenses natively, and the optical viewfinder shows the real scene without EVF lag in low light. Weather sealing has been proven across thousands of weddings over nearly a decade.
The biggest limitations for weddings are the lack of an articulating screen for low-angle ceremony shots, the 7fps burst (slow for fast action), and the dated 4K MJPEG codec that creates massive files. If you’re starting fresh, mirrorless is the better path. If you already own EF glass, this body still gets the job done.
Who the 5D Mark IV is best for
Wedding photographers with established EF lens collections who want a backup body or a main body with optical viewfinder battery life. Budget-conscious shooters buying used also get excellent value here.
Who should skip the 5D Mark IV
Anyone starting from scratch should buy mirrorless. The autofocus limitations during reception action make it a poor primary body for current working photographers.
7. Canon EOS R7 — APS-C Reach for Budget-Conscious Wedding Shooters
Pros
- 32.5MP APS-C sensor with 1.6x crop reach
- 30fps electronic shutter with subject detection
- Dual UHS-II card slots
- Lightweight body for long shooting days
Cons
- APS-C sensor has more noise at high ISO than full-frame
- Smaller buffer than flagship bodies
- Limited native lens selection
The Canon EOS R7 is the best Canon camera for wedding photography under $2000 if you need reach and speed. The 32.5MP APS-C sensor gives a 1.6x crop factor that effectively extends telephoto lenses, which is useful when shooting ceremonies from the back of a venue. The 30fps electronic burst rivals flagship full-frame bodies.
Subject detection autofocus inherits the same Dual Pixel CMOS AF II as the full-frame R6 series, with reliable eye and face tracking for portraits. During my test ceremony shoot, the R7 stayed locked on the officiant’s face even as they moved between speakers.
The dual UHS-II card slots are a welcome feature at this price point, giving instant backup for ceremony files. Battery life is solid for a mirrorless body, often clearing 600 shots per charge during a typical wedding timeline. The compact body is comfortable for all-day handheld shooting.
The trade-off for the APS-C sensor is higher noise at reception ISO levels. I found usable results up to ISO 3200, but pushing beyond 6400 introduced more noise than I’d accept for paid wedding work. For daytime outdoor ceremonies and receptions in well-lit venues, this isn’t an issue.
Who the R7 is best for
New wedding photographers building a first kit on a budget, or second shooters who need a lightweight body with telephoto reach for ceremonies. Hobbyists shooting family weddings will find this delivers professional results in good light.
Who should skip the R7
Photographers who shoot primarily in low-light receptions and churches should invest in a full-frame body like the R8 or R6 Mark II. The APS-C sensor noise penalty is real in dim conditions.
8. Canon EOS R8 — Lightweight Full-Frame Entry Point
Pros
- Full-frame image quality at entry-level price
- Lightweight 461g body for all-day comfort
- 4K 60p uncropped video
- Vari-angle touchscreen for ceremony work
Cons
- No in-body image stabilization
- Single SD card slot only
- Smaller battery capacity than R6 series
The Canon EOS R8 is the most affordable full-frame Canon body for wedding photography, and it punches well above its price. The 24.2MP full-frame sensor delivers the same image quality and low-light performance as the R6 Mark II, which means excellent files even at reception ISO levels. The Dual Pixel CMOS AF II with subject detection is essentially the R6 Mark II’s system in a smaller body.
At 461 grams, the R8 is the lightest full-frame Canon mirrorless body available. I shot a full wedding day with this camera as the primary body and never felt fatigue, which matters when you’re carrying two bodies plus lenses for eight to ten hours.
The 4K 60p uncropped video with Canon Log 3 makes this a hybrid-friendly body for photographers delivering both stills and short highlight reels. The vari-angle touchscreen helps with ceremony angles from the back of a church, and the subject detection reliably tracks eyes for portraits.
The trade-offs are significant for wedding work: there’s no in-body image stabilization, only one SD card slot, and the smaller battery typically delivers 200-300 shots per charge. For a primary wedding body, these are real concerns. As a second body or a step up from an entry-level model, the R8 is hard to beat on value.
Who the R8 is best for
Photographers upgrading from entry-level mirrorless or older DSLRs who want full-frame image quality at a reasonable price. Second shooters and backup bodies benefit from the lightweight design.
Who should skip the R8
Wedding photographers who need dual card slots for backup reliability should look at the R6 Mark II instead. The single card slot is a deal-breaker for primary ceremony shooting.
9. Canon EOS R6 Mark II (Renewed) — Pro Performance at a Discount
Pros
- Pro-grade R6 Mark II performance at lower cost
- Same Dual Pixel CMOS AF II system
- 40fps burst with subject tracking
- Full-frame low-light performance
Cons
- Amazon Renewed 90-day warranty only
- Limited stock (Only 7 left at last check)
- No manufacturer warranty coverage
The Canon EOS R6 Mark II Renewed gives you the same camera body that working wedding photographers trust, at a meaningful discount. I tested a renewed unit and the body arrived in like-new condition with original packaging, fresh shutter count under 1000, and zero cosmetic issues.
All the R6 Mark II features that matter for weddings carry over: 24.2MP full-frame sensor, 40fps electronic shutter, 8-stop in-body stabilization, Dual Pixel CMOS AF II with subject detection, and dual card slots. From a performance standpoint, you cannot tell a renewed unit from new during actual shooting.
The biggest consideration is the 90-day Amazon Renewed warranty instead of Canon’s standard one-year manufacturer warranty. For a wedding body that will see heavy use, this is a real trade-off. Stock is also limited — at last check only seven units were available, so this is a window-of-opportunity purchase.
Budget-conscious wedding photographers building a two-body kit should seriously consider pairing a renewed R6 Mark II with a new R8 as a backup. The price difference between this renewed option and the new R6 Mark II is enough to fund a quality RF 50mm f/1.8 lens.
Who the Renewed R6 Mark II is best for
Wedding photographers who want flagship-tier autofocus on a budget and are comfortable with a shorter coverage window. Two-body kit builders can stretch their budget further with this option.
Who should skip the Renewed R6 Mark II
Anyone who needs the full manufacturer warranty for client peace of mind should buy new. Photographers relying on a single primary body shouldn’t risk a 90-day warranty on critical shoots.
10. Canon EOS R50 Bundle — Best Entry Point for First-Time Wedding Shooters
Pros
- Two-lens bundle covers wide to telephoto
- Compact and lightweight for beginners
- Fast Dual Pixel CMOS AF
- Easy-to-use menu system
Cons
- No in-body image stabilization
- APS-C sensor limitations in low light
- Limited buffer for continuous shooting
The Canon EOS R50 bundle is the right starting point for someone shooting their first family wedding or building a wedding photography side business. The dual-lens bundle (18-45mm and 55-210mm) covers the wide ceremony shots and telephoto portraits you need without buying additional lenses right away.
The 24.2MP APS-C sensor produces sharp images in good light, and the Dual Pixel CMOS AF with subject detection tracks faces reliably during posed portraits and slow-moving ceremonies. The vari-angle touchscreen makes it easy to compose ceremony shots from creative angles.
For casual wedding shooters documenting family events, the R50 delivers images that exceed smartphone quality by a wide margin. The 4K video capability is useful for short highlight clips, and the compact body fits in a small camera bag for travel.
The honest trade-offs: no in-body image stabilization, a smaller buffer that fills quickly during continuous shooting, and APS-C sensor noise at high ISO. For paid wedding work in dim churches and receptions, you need a full-frame body. For a hobbyist shooting a family wedding in a well-lit venue, this bundle is everything you need.
Who the R50 bundle is best for
First-time wedding photographers documenting family weddings and small ceremonies. Hobbyists upgrading from smartphone photography will find this a capable starting kit.
Who should skip the R50 bundle
Anyone planning to charge for wedding services needs a full-frame body with dual card slots. The R50 is a great starting camera, but it’s not the right tool for paid professional work.
Buying Guide: How to Choose the Best Canon Camera for Wedding Photography?
Choosing the right Canon body for wedding photography comes down to five key decisions. Use this section to match your shooting style and budget to the right camera.
Full-Frame vs APS-C for Weddings
Full-frame sensors deliver cleaner high-ISO performance in dim reception lighting, which is the biggest advantage for wedding photographers. APS-C bodies like the R7 and R50 give you a crop factor advantage for telephoto reach, but the noise penalty in low light is real. If your weddings involve dark churches or evening receptions, full-frame is the better choice.
Autofocus Performance Matters Most
Modern Canon Dual Pixel CMOS AF II with subject detection is the single biggest advantage over older DSLR systems. Eye, face, and person tracking keep moving subjects sharp during processionals, first looks, and reception dancing. The R5 Mark II adds Eye Control AF, which detects where you’re looking in the viewfinder and locks focus there. For most wedding work, the R6 Mark II’s autofocus is more than capable.
Low-Light Capability and Dual Card Slots
Reception and ceremony lighting varies wildly from venue to venue. Look for ISO performance that stays usable at 6400 or higher, in-body stabilization of at least 5 stops, and dual card slots for instant backup. Single card slot bodies like the R8 work as second bodies but aren’t ideal as primaries.
Lens Ecosystem: RF vs EF
Canon’s RF mount is the current system, and RF lenses deliver better optical performance than older EF designs. If you have EF glass, you can adapt it to RF bodies with full autofocus compatibility, so you don’t need to replace everything at once. For new buyers, our guide to the 8 Best Canon RF Mount Lenses for Wedding Photography covers the recommended starting kit.
Backup Camera Strategy
Every working wedding photographer needs two bodies. The most common pairing is two R6 Mark II bodies, or an R5 Mark II paired with an R6 Mark II. For our broader Canon lineup recommendations beyond wedding work, see our guides to Canon cameras for portrait photography and Canon cameras for wildlife photography.
Frequently Asked Questions
Which Canon camera is best for wedding photography?
The Canon EOS R6 Mark II is the best Canon camera for wedding photography for most working photographers. It pairs a 24.2MP full-frame sensor with 40fps burst, 8-stop in-body image stabilization, Dual Pixel CMOS AF II subject detection, and dual card slots at a price most wedding photographers can justify. For more budget, the Canon EOS R6 Mark III adds a 32.5MP sensor and improved autofocus.
What camera do most professional wedding photographers use?
Most professional wedding photographers in 2026 use Canon EOS R6 Mark II, R5, or R5 Mark II bodies as primary cameras. The R6 Mark II dominates as a second body due to its autofocus reliability and price. Top-tier wedding studios often pair an R5 Mark II or R3 as a primary body with an R6 Mark II as a backup.
Is full-frame necessary for wedding photography?
Full-frame is not strictly necessary, but it is strongly recommended. Full-frame sensors deliver better high-ISO performance in dim reception lighting and provide shallower depth of field for portrait separation. APS-C bodies like the Canon EOS R7 work for well-lit ceremonies but struggle in dim churches and evening receptions.
How many megapixels do I need for wedding photography?
24 megapixels is widely considered plenty for wedding photography and is the resolution most working photographers prefer. 45MP bodies like the R5 give you more cropping headroom and larger print options. Anything above 30MP is overkill for typical wedding albums but useful if you deliver large canvas prints.
Is the Canon R6 Mark II still good for weddings in 2026?
Yes, the Canon EOS R6 Mark II remains one of the best Canon cameras for wedding photography in 2026. Its autofocus system matches newer bodies for most wedding scenarios, and its price has dropped since the Mark III launched. Working photographers continue to rely on it as both a primary and second body.
Should I buy a DSLR or mirrorless Canon for wedding photography?
Buy mirrorless. Modern Canon mirrorless bodies deliver dramatically better autofocus with subject detection, faster burst rates, in-body image stabilization, and silent shooting options. The Canon EOS 5D Mark IV is still a capable DSLR, but only worth buying used with existing EF lens collections.
Final Verdict
The best Canon camera for wedding photography in 2026 is the Canon EOS R6 Mark II for most working photographers, with the Canon EOS R6 Mark III as the new flagship and the Canon EOS R8 as the strongest budget full-frame option. Your best choice depends on your shooting volume and budget.
For paid wedding work, invest in a full-frame body with dual card slots — the R6 Mark II is the sweet spot for most. For studio-heavy work needing maximum resolution, the R5 Mark II is worth the premium. For beginners, the R8 or R7 gives you Canon’s autofocus system without breaking the bank. Once you’ve chosen a body, our best Canon cameras for wedding photography hub covers related kits and accessories.