The photography world is buzzing with excitement about Tamron’s potential game-changing lens that could redefine versatility for professional photographers. The rumored Tamron 28-180mm f/2.8 Di III VC VXD lens, expected to be announced in September , represents what could be the most ambitious constant aperture zoom lens ever created for Sony E-mount cameras. As someone … Read more
When it comes to wide-angle zoom lenses for Sony E-mount cameras, two options consistently dominate the conversation: the Tamron 17-28mm f/2.8 Di III RXD and the Sigma 14-24mm f/2.8 DG DN Art. I’ve spent countless hours testing both lenses in various conditions to help you decide which one deserves a spot in your camera bag. … Read more
As a landscape and architecture photographer who’s spent countless hours shooting with both these lenses, I’m excited to share my comprehensive comparison between the Sony 16-35mm GM and the Tamron 17-28mm. If you’re like me, you’ve probably been staring at these two options wondering which one deserves a place in your camera bag. I remember … Read more
When it comes to standard zoom lenses for Sony mirrorless cameras, two options consistently dominate the conversation: the Sony FE 24-70mm f/4 ZA OSS and the Tamron 28-75mm f/2.8 Di III RXD. As a photographer who’s spent countless hours with both lenses, I can tell you that choosing between them isn’t just about specs—it’s about … Read more
When it comes to telephoto zoom lenses, the 70-200mm f/2.8 is the undisputed workhorse for professional photographers. In the Nikon ecosystem, two options consistently spark debate: the Tamron 70-200mm G2 and the Nikon 70-200mm VR II. As a photographer who’s spent countless hours shooting with both lenses in various conditions, I understand the dilemma you’re … Read more
When it comes to superzoom lenses for Nikon DSLRs, two options consistently dominate the conversation: the Nikon 18-300mm f/3.5-6.3G ED VR and the Tamron 16-300mm f/3.5-6.3 Di II VC PZD Macro. After shooting extensively with both lenses across various photography scenarios, I’ve discovered that choosing between them involves careful consideration of your specific needs, shooting … Read more
When it comes to wide-angle lenses for full-frame cameras, the Tamron 17-35mm F/2.8-4 Di OSD and Canon EF 16-35mm F/4L IS USM are two popular options that often find themselves in direct competition. As a professional photographer who has extensively used both lenses, I can tell you that choosing between them isn’t just about specs—it’s … Read more
As a professional photographer who’s spent countless hours shooting with various 35mm lenses, I can tell you that choosing between the Sigma 35mm 1.4 Art and the Tamron 35mm 1.8 is a common dilemma. Both lenses have earned their place in the camera bags of enthusiasts and professionals alike, but they serve different needs and … Read more
As a photography enthusiast who’s been shooting with Sony mirrorless cameras for years, I’ve always been fascinated by the convenience of superzoom lenses. There’s something incredibly liberating about having a wide-to-telephoto range in a single package, especially when traveling or shooting events where changing lenses isn’t practical. Today, I’m putting two popular superzoom options head-to-head: … Read more
When it comes to telephoto zoom lenses, Tamron has established itself as a major player in the photography world. Two of their most popular options for wildlife and sports photographers are the Tamron 150-600mm G2 and the Tamron 100-400mm. I’ve spent countless hours in the field with both lenses, pushing them to their limits in … Read more