Rahul Mehta 
If you’re a Canon EOS M user, you’ve likely faced the dilemma of choosing between the EF-M 18-150mm and the EF-M 55-200mm lenses. I’ve been there myself, standing in the camera store, trying to decide which lens would best serve my photography needs. These two lenses represent different philosophies: one is an all-in-one do-it-all zoom, … Read more
As a professional photographer who’s spent countless hours shooting with OM System cameras (formerly Olympus), I can tell you that choosing between the OM-1 and OM-5 (previously called OM-2 in development) is a common dilemma. Both cameras represent the pinnacle of compact Micro Four Thirds photography, but they serve different needs and priorities. After testing … Read more
As a professional photographer who’s spent thousands of hours shooting with Fujifilm cameras, I can tell you that choosing between the X-T5 and X-T4 is a common dilemma. Both cameras represent Fujifilm’s commitment to excellence, but they serve different needs and priorities. After testing both extensively in real-world scenarios—from landscape photography to portraits, street shooting … Read more
When it comes to ultra-wide-angle zoom lenses for Sony E-mount cameras, two titans stand out: the Sigma 14-24mm F/2.8 DG DN Art and the Sony FE 12-24mm F/4 G. As a landscape and architectural photographer who has shot extensively with both lenses, I’m here to help you decide which one deserves a place in your … Read more
When Canon introduced their RF mount system, photographers gained access to an impressive lineup of telephoto zoom lenses. Among the most debated options are the RF 100-400mm f/5.6-8 IS USM and the RF 100-500mm f/4.5-7.1L IS USM. After shooting extensively with both lenses across various genres—from wildlife to sports to landscapes—I’ve discovered that while they … Read more